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Cantante

Soprano

Nicola Beller Carbone

Casilda

Maite Alberola

Milagros Martín

Juana Antonia

Sandra Ferrández

Barítono

Angel Odena

Peribáñez

César San Martín

Tenor

Jorge de León

Don Fadrique

Andeka Gorrotxategi

Bajo

Rubén Amoretti

David

Manuel Mas

Javier Tomé

Olmedo

Ricardo Muñiz

Miguel Ángel

Director(a) orquestal

Miguel A. Gomez-Martinez

Eduardo Portal

Director(a) de escena

Natalia Menéndez

Diseñador(a) de vestuario/Figurinista

María Araujo

Escenógrafo(a)

Nicolás Boni

Director(a) coral

Antonio Fauró

Teatro Lírico Nacional de la Zarzuela

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Joven Orquesta y Coro de la Comunidad de Madrid

La villana

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La villana Vives

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Válido

Zarzuela basada en el drama sobre la honra villana "Peribáñez y el Comendador de Ocaña", de Lope de Vega.
Despite the fact that it is now more than thirty years since La villana (The village girl) last “visited” the Teatro de la Zarzuela stage, through most of the twentieth century this was one of the theatre’s most iconic works. Now, for the first time this century, and after that gap of more than three decades, the work is back on these historic boards, and something that without a doubt should be seen as an event of the first magnitude is taking place. The coming together of this famous work’s three authors, the writers Federico Romero and Guillermo Fernández Shaw, and the composer Amadeo Vives, is an example of the very best of its time – as came to be evident again later with La rosa del azafrán.
La villana, as offered here, makes an unbroken aesthetic trip through the centuries, swept along by the music of Vives, in which he combines tradition, popular elements, and highly crafted melody with impressive balance. The prevalence of joy is one of the features that define his composition. And riding on the back of these luminous melodies, the visual feast on stage sits perfectly.

English

La villana by Vives, De (2017/2017), Dirigido por Natalia Menéndez,, Director Miguel A. Gomez-Martinez, Eduardo Portal, Teatro de la Zarzuela, Madrid, España

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