Name: Lady Macbeth of Mtsensk
Start: 2018-03-01T00:00:00.000Z
End: 2018-04-14T00:00:00.000Z
Location: Stadttheater Klagenfurt

Admin

Organization

Bass

Gleb Nikolsky

Boris Timofeyevich Izmailov

Tenor

Joshua Owen Mills

Zinovy Borisovich Izmailov

Soprano

Svetlana Sozdateleva

Ekaterina Lvovna Izmailova

Alexey Kosarev

Sergei

Iris van Wijnen

Aksinia

Contralto

Sonyetka

Jisang Ryu

Priest

Old Convict

Baritone

Karl Huml

Police inspector

Evert Sooster

Steward

Seargeant

Yard keeper

Conductor

Kristiina Poska

Stage director

Immo Karaman

Set designer

Costume designer

Fabian Posca

Choreographer

Chorus master

Günter Wallner

Dramaturge

Markus Hänsel

Stadttheater Klagenfurt

Orchestra

Kärntner Sinfonieorchester

Others

Chor des Stadttheaters Klagenfurt

Extra Choir of the Stadttheater Klagenfurt

krievu

Lady Macbeth of Mtsensk

Klagenfurt

Austria

Lady Macbeth of Mtsensk: Ledi Makbet Mtsenskogo uezda Shostakovich

Public

Lady Macbeth of Mtsensk, Op. 29

vācu

Approved

LADY MACBETH VON MZENSKOper in vier Akten von Dmitri Schostakowitsch / Libretto von Alexander G. Preis und vom Komponisten nach der gleichnamigen Erzählung v...

Shostakovich, one of the most dazzling artistic personalities of the 20th century, created an opera that was as captivating as it was wild. Already in Leskov's novella, the murderous activities of Katerina Ismailova are told in unvarnished words, who first kills her father-in-law and then - together with her lover Sergei - her husband. In the end, however, she is dropped by Sergei herself. Immo Karaman is the director and set designer, Fabian Posca is responsible for the choreography and costumes – the two have already brought Die Liebe zu den Drei Orangen and A Midsummer Night's Dream to the stage with great success in Klagenfurt. The Estonian conductor Kristiina Poska conducts the KSO. In keeping with the plot, Shostakovich composes music that is characterized by extremes: transparent chamber drama stands next to powerful choirs, jagged sections of the score next to passages in strict counterpoint. Between the grotesque and the tragedy, Shostakovich's Katerina takes on a dimension that Leskov's story lacks. Surrounded by a weak husband, a rough father-in-law and chauvinistic workers, she ekes out a miserable life on a farm in the Russian countryside. This destructive environment makes her actions understandable, so that she appears not only as a cruel murderess, but also as a young woman striving for self-realization. Duration approx. 3 hours (incl. break after Act 2) Photos (c) Arnold Pöschl

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