Name: Le Carnaval Des Animaux
Start: 2025-01-24T00:00:00.000Z
End: 2025-01-24T00:00:00.000Z
Location: Théâtre du Châtelet

Admin

Orchestre de Chambre de Paris

Théâtre du Châtelet

Conductor

Gábor Takács-Nagy

Instrumentalist

Lise de la Salle

Piano I

David Kadouch

Piano II

Le Carnaval Des Animaux

Paris

France

Public

Private

Concert

Gnossienne No. 3 (orch. Francis Poulenc)

Concerto For Two Pianos And Orchestra In D Minor, FP 61

The Carnival of the Animals

Symphony No. 1 in D Major, op. 25 ("The Classical")

Création

Rahul Solomon

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Bass

Bass-baritone

Soprano

Baritone

Countertenor

Tenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Les œuvres de Saint-Saëns et Poulenc mettent la musique pour deux pianos à l’honneur. Au programme également, une création d’Aline Gorisse, écrite dans le cadre de l’Académie des jeunes compositrices de l’orchestre. En 1886, Saint-Saëns compose Le Carnaval des animaux, pour se délasser après une tournée, alors que Poulenc écrit son Concerto pour deux pianos à la demande de la princesse de Polignac (il en assure la création en 1932 à La Fenice de Venise). Les deux partitions, qui allient une poésie raffinée à un humour irrésistible, multiplient les références stylistiques et les citations (voire les autocitations) : Offenbach, Berlioz et Rossini chez Saint-Saëns ; Bach, Mozart, le music-hall et le gamelan balinais chez Poulenc. Quant au jeune Prokofiev, il imagine dans sa Symphonie n° 1 dite « Classique » (1917) ce que Haydn composerait s’il vivait au début du XXe siècle.

français

The works of Saint-Saëns and Poulenc put music for two pianos in the spotlight. Also on the program, a creation by Aline Gorisse , written as part of the orchestra's Academy of Young Composers. In 1886, Saint-Saëns composed The Carnival of the Animals , to relax after a tour, while Poulenc wrote his Concerto for two pianos at the request of the Princess de Polignac (he premiered it in 1932 at La Fenice in Venice) . The two scores, which combine refined poetry with irresistible humor, multiply the stylistic references and quotations (even self-citations): Offenbach, Berlioz and Rossini in Saint-Saëns; Bach, Mozart, music hall and Balinese gamelan at Poulenc. As for the young Prokofiev, he imagined in his so-called “Classical” Symphony No. 1 (1917) what Haydn would compose if he lived at the beginning of the 20th century.

English

Le Carnaval Des Animaux by Satie, Poulenc, Saint-Saëns, Prokofiev, Aline Gorisse, Fra (2025/2025), Dirigent Gábor Takács-Nagy, Théâtre du Châtelet, Paris, France

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