Name: Le Coq d'or
Start: 2016-12-13T00:00:00.000Z
End: 2016-12-30T00:00:00.000Z
Location: Palais de la Monnaie

Admin

Organization

Singer

Bass

Pavlo Hunka

King Dodon

Alexey Tikhomirov

Tenor

Alexey Dolgov

Prince Gwidon

Baritone

Konstantin Shushakov

Tsarevich Afron

Alexander Vassiliev

The Voivode Polkan

Contralto

Agnes Zwierko

Amelfa the Housekeeper

Aleksander Kravets

The Astrologer

Soprano

Venera Gimadieva

The Queen of Shemakha

Nina Minasyan

Sheva Tehoval

The Golden Cockerel

Conductor

Alain Altinoglu

Stage director

Laurent Pelly

Costume designer

Jean-Jacques Delmotte

Set designer

Barbara de Limburg

Lighting designer

Joël Adam

Choreographer

Lionel Hoche

Chorus master

Martino Faggiani

La Monnaie/De Munt

Teatro Real de Madrid

Opéra national de Lorraine

Others

La Monnaie Chorus

Orchestra

La Monnaie Symphony Orchestra

ruština

Le Coq d'or -  (The Golden Cockerel)

Brussels

Belgium

Palais de la Monnaie

Le Coq d'or Rimsky-Korsakov

Public

Private

francouzština

nizozemština

Approved

Er was eens... een moe geregeerde Tsaar, een verleidelijke koningin, een mysterieuze Astroloog en zijn magische haan. Bijna te mooi om allemaal waar te zijn…...

Once upon a time... a weary reigned Tsar, a seductive queen, a mysterious Astrologer and his magical rooster. Almost too good to be all true… More info:http://bit.ly/2eKfCqH
----------------------- Once upon a time there was a power-weary Tsar, a bewitching queen, a mysterious astrologer and his golden rooster with magical powers… For the end-of-year celebrations, let yourself be enchanted by the magic of the "Coq d'or". More information :http://bit.ly/2ef3evr

DE GOUDEN HAAN / LE COQ D'OR | Interview Alain Altinoglu & Laurent Pelly

‘A beautiful song – a shame that it shows such disrespect to the Mayor!’ This remark from the score of The Golden Cockerel highlights the delicious ambiguity of this work. Principally inspired by Washington Irving and Pushkin, Rimsky-Korsakov called on the talents of Vladimir Belsky, an author of other libretti of a fairy-tale, legendary nature and an expert on Russian folk literature. The composer, a genius at orchestration, has given us sparkling music, with oriental touches, that creates fully rounded characters. This is the perfect occasion for Alain Altinoglu to direct his first opera in his new role as Music Director of La Monnaie. After the success of his Don Quichotte and Cendrillon, Laurent Pelly returns to La Monnaie to stage this exuberant political satire, an adventure in unrestrained rhythm. More than a century has passed since its first performance, yet the opera has lost none of its boisterous sarcasm.

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