Admin

Organization

Festtage Berlin

Певец

Баритон

Gyula Orendt

Граф Альмавива

Сопрано

Elsa Dreisig

Графиня

Nadine Sierra

Сюзанна

Бас

Riccardo Fassi

Фигаро

Тенор

Stephan Rügamer

Дон Базилио

Siegfried Jerusalem

Дон Курцио

Maurizio Muraro

Бартоло

Liubov Medvedeva

Барбарина

Дирижер

Daniel Barenboim

Режиссер-постановщик

Vincent Huguet

Художник-постановщик

Aurélie Maestre

Художник по костюмам

Clémence Pernoud

Хормейстер

Martin Wright

Драматург

Louis Geisler

Меццо-сопрано

Emily D'Angelo

Керубино

Katharina Kammerloher

Марцелина

David Oštrek

Антонио

Художник по свету

Irene Selka

Хореограф

Thomas Wilhelm

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

итальянский

Le nozze di Figaro -  (Свадьба Фигаро)

Берлин

Германия

Staatsoper Unter den Linden

Le nozze di Figaro by W.A. Mozart, from Staatsoper Unter den Linden performed at Staatsoper Unter den Linden, 2021. Directed by Vincent Huguet, conductor Daniel Barenboim, starring Gyula Orendt, Elsa Dreisig, Nadine Sierra, Riccardo Fassi, Emily D'Angelo, Katharina Kammerloher, Stephan Rügamer, Siegfried Jerusalem, Maurizio Muraro, David Oštrek, Liubov Medvedeva.

This production will not be available in Japan.

Le nozze di Figaro« is rightly regarded as a prime example of a musical comedy. Together with his librettist Lorenzo Da Ponte, the 30-year-old Wolfgang Amadeus Mozart had created an opera that set new standards - with its vitality, its lightning-fast turns, its multiple trials and tribulations and a music that carries deep sensitivity as well as humour and wit.

With Mozart's three Da Ponte operas, director Vincent Huguet and conductor Daniel Barenboim embark on a journey through time in which the characters evolve and transform. Young people's loves and sorrows come onto the stage in the form of both true and feigned emotions - although in the case of »Figaro«, which forms the second part of this trilogy, these worlds are set in the 80s with their special style and charm. Fast pace and situation comedy come to the fore as well as thoughtfulness and melancholy. The immense art of differentiation, as it is so vividly shown in Mozart's marvelous work, will also be reflected in the musical and scenic presentation.

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