Name: Le nozze di Figaro
Start: 2022-01-21T00:00:00.000Z
End: 2022-05-19T00:00:00.000Z
Location: Théâtre Municipal d'Abbeville

Organization

Singer

Bass

Florian Bisbrouck

Figaro

Soprano

Heera Bae

Susanna

Erminie Blondel

The Countess of Almaviva

Mezzo-soprano

Anne-Lise Polchlopek

Cherubino

Eugenio Di Lieto

Bartolo

Magali Paliès

Marcelline

Laura Baudelet

Barbarina

Pierre Thirion-Vallet

Antonio

Stage director

Conductor

Amaury du Closel

Costume designer

Véronique Henriot

Set designer

Frank Aracil

Baritone

Igor Mostovoi

The Count of Almaviva

Tenor

Marco Angioloni

Basilio

Don Curzio

Lighting designer

Véronique Marsy

Repetiteur

Daniel Navia

Surtitling

David M. Dufort

Alban Legos

Jeanne Mendoche

Amélie Robins

Pablo Ramos Monroy

Choir

Matthias Rossbach

Katia Anapolskaya

Elodie Romand

Clermont Auvergne Opéra

Others

Choeur Opéra Nomade

Choir Opéra Nomade

Orchestra

Orchestre Les Métamorphoses

Opéra Nomade

Orchestra Les Metamorphoses

italų

Le nozze di Figaro -  (The Marriage of Figaro)

Fréjus

France

Aggloscène

Draguignan

Théâtre en Dracénies

Saint-Quentin

Théâtre Jean Vilar

Clermont-Ferrand

Opéra-Théâtre

Perpignan

Théâtre de l’Archipel

Plaisir

TEC - Théâtre Coluche

Abbeville

Théâtre Municipal d'Abbeville

Le nozze di Figaro Mozart

Public

The Marriage of Figaro

prancūzų

Approved

Figaro - Les Noces de Figaro
Clermont Auvergne Opéra - Avril 2022

Figaro - Les Noces de Figaro

Figaro aria "Se vuol ballare" extrait des Noces de Figaro de Mozart
Clermont Auvergne Opéra - Avril 2022

Figaro aria "Se vuol ballare" extrait des Noces de Figaro de Mozart

Class struggle and war of the sexes.

​

You must first listen to the music of Mozart: the opening of his opera carried on at a breakneck pace, is jerky just enough, daring to murmur and sudden outbursts, panting certainly but tinged with melancholy. Everything is said from the first minutes. At the twilight of an 18th century marked by the spirit of the Enlightenment, a society in love with change and freedom was living its last fires. But with this freedom, what were our heroes going to do? So many heartbeats, disillusionment and dashed hopes! Of course, history was on the move and social injustice denounced, but love relationships, deep feelings and this unhealthy jealousy, would they change for all that? Women would continue to play with men's hearts so as not to give in to despair in the face of such lightness and men would try to save face by showing how nobility of heart ignores social rank.

 

From Beaumarchais to Mozart, this masterpiece of comedy - feverish, vivacious and sensual - has gained in lightness and tone, as if transfigured.

 

We will place this production at the time of its creation, and will try to stage love in all its forms, the man-woman fights whether one is a master or a valet. It will also be necessary to underline the protest character of this opera placed under the sign of the challenge, and from which will point the beginnings of a revolution.

English

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