Organization

Admin

Maestro

Risto Joost

Vello Pähn

Lauri Sirp

Designer de Iluminação

Rasmus Rembel

Estilista

Simona Morresi

Cenógrafo

Maria Rossi Franchi

Andrea Tocchio

Coreógrafo

Marge Ehrenbusch

Others

Estonian National Opera Chorus

Orchestra

Estonian National Opera Orchestra

Estonian National Opera

Diretor de Palco

Marco Gandini

Arvo Volmer

Mestre de Coro

Heli Jürgenson

Assistant Chorus Master

Ksenija Grabova

Cantor

Soprano

Elena Brazhnyk

Condessa de Almaviva

Barítono

Tamar Nugis

Conde de Almaviva

Mezzo-soprano

Karis Trass

Cherubino

Baixo

Märt Jakobson

Bartolo

Tenor

Mart Madiste

Basílio

Merje Uppin

Marcelina

Carol Männamets

Barbarina

Mati Vaikmaa

António

Rafael Dicenta

Don Curzio

Raiko Raalik

Fígaro

Kristel Pärtna

Susanna

Janne Ševtšenko

italiano

Le nozze di Figaro -  (As bodas de Fígaro)

Tallinn

Estônia

Le nozze di Figaro Mozart

Public

As bodas de Fígaro

estoniano

inglês

Approved

„Figaro pulm“ kujutab ühtainsat tormilist päeva Almavivade majapidamises, kus krahvi paaž flirdib aedniku tütre Barbarinaga, jumaldades samas krahvinnat, kes...

“Le nozze di Figaro” follows the Almaviva household through a single turbulent day as the Count’s page Cherubino fools around with the gardener’s daughter Barbarina, but adores the Countess, who loves the Count, who goes after Susanna, who is engaged to Figaro, who has promised to marry Doctor Bartolo’s wife Marcellina, who is old enough to be his mother… and all this on the eve of Figaro’s marriage!

“Le nozze di Figaro” was Mozart’s first collaboration with librettist Lorenzo Da Ponte. They would soon create “Don Giovanni” and “Così fan tutte”. Lorenzo Da Ponte adapted Pierre Beaumarchais’ controversial play that at the time was banned in Vienna due to its scandalous portrayal of servants outwitting their aristocratic masters. But Da Ponte focuses less on the original satire and more on the timeless issues of the comedy genre. Following its successful Viennese premiere, the opera became a major success when produced in Prague a few months later – a triumph for Mozart that led to the commission to write “Don Giovanni”.

Mozart’s score is sunny and sublime with a bubbling overture, brilliantly crafted arias and animated ensemble scenes that won the hearts of its early audiences. Encores became so numerous that after the work’s third performance the emperor allowed encores only for arias to keep the performance to a sensible length.

English

„Figaro pulm“ kujutab ühtainsat tormilist päeva Almavivade majapidamises, kus krahvi paaž flirdib aedniku tütre Barbarinaga, jumaldades samas krahvinnat, kes armastab krahvi, kes tahab Susannat, kes on kihlatud Figaroga, kes on lubanud abielluda doktor Bartolo naise Marcellinaga, kes on piisavalt vana, et olla Figaro ema… ja see kõik sünnib Figaro pulmapäeva eelõhtul!

„Figaro pulm“ on Mozarti esimene koostöö libretist Lorenzo da Pontega, millele järgnesid „Don Giovanni“ ja „Così fan tutte“. Libreto on kirjutatud Beaumarchais’ vastuolulise näidendi ainetel, mida ei lubatud Viini teatrites esitada, sest laval ei tohtinud kujutada nutikaid teenreid, kes oma aristokraatidest peremehi ninapidi veavad. Kuid da Ponte libreto keskendub
originaali satiiri asemel komöödiažanri ajatutele võtetele. Viini esietenduse edule järgnes peagi edu Praha Ooperis – triumf, mis tõi heliloojale tellimuse kirjutada „Don Giovanni“.

Mozarti muusika pulbitseb energiast, alates säravast avamängust kuni lennukate aariate ja värvikate ansambliteni, mis on paelunud publikut esietendusest alates. Muusikanumbrite kordamine publiku soovil muutus niivõrd sagedaseks, et pärast kolmandat etendust lubas keiser korrata vaid aariaid, et etenduse pikkus jääks mõistlikkuse piiresse.

eesti

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto