Organization

Admin

Kolozsvári Magyar Opera

Regie

András Kürthy

Dirigat

Zsolt Jankó

Kostümbild

Márta Pilinyi

Bühnenbild

László Székely

Choreographie

Adrian Mureșan

Sänger

Tenor

Dobrița Roland

Nemorino

Bass

Zoltan Nagy

Doktor Dulcamara

Sopran

Renáta Gebe-Fügi

Adina

Bariton

Ottó Peti Tamás

Belcore

Lívia Antal

Giannetta

Stumme Rolle

Veress Laszló

Ein Notar

L'elisir d'amore -  (Der Liebestrank)

Klausenburg

Rumänien

L'elisir d'amore (reduction) Donizetti

Public

Der Liebestrank

Delfina Gago

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Chordirektion

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Lichtgestaltung

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Videogestaltung

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bass-Bariton

Mezzosopran

Countertenor

Alto

Continuo

Kinderstimme

Sprechrolle

"Gaetano Donizetti's  comedy L'Elisir d'amore  ( The Elixir of Love ) was presented 180 years ago, on May 12, 1832, in Milan, at the Teatro della Cannobbiana. At that time, Rossini had already retired from composing stage music for three years (since the premiere of Tell Vilmos in 1829); Bellini dies three years later, after writing The Puritans, in 1835; Verdi's first stage work, the opera Oberto, had to wait another seven years. Donizetti was 35 years old at the time, in the middle of his career, at the beginning of his most successful creative period, fourteen years before his theatrical debut and twelve years before the revision of his last opera. Among his main works, Boleyn's Anna was already completed, but later he only composed, for example, Lucrezia Borgia, Lucia Lammermoor, Maria Stuart, and his other famous comedy operas, The Daughter of the Regiment and Don Pasquale.

The  Love Potion,  however, also stands out from this period, but not only from this period, and not only from its author: the masterpiece is one of the most loved and most played pieces in the entire history of opera. What is the reason why it is still popular after 180 years, and is loved by stage managers and audiences alike? Why, for example, did the other three Donizetti works presented in the same year (Fausta; Ugo, conte di Parigi and Sancia di Castiglia) not become a similar success?

What is indispensable for really good operas: you need a witty, well-paced text book. Therefore, the praise goes to the librettist of the Potion, Felice Romani (1788-1865). The Genoese librettist and musicologist revised and translated Le philtre, written in 1831 by the famous French dramatist and librettist Eugène Scribe, in just seven days - Donizetti had another seven days to get the music ready in time for the show. The French author's libretto was originally written for Daniel Auber - his work was presented in Paris in 1831, but today it is perhaps only mentioned because it has a common source with the Love Potion."


András Ádám Kürthy, director

 

Gaetano Donizetti

Love potion

Opera in two acts

The text was written by Felice Romani based on Eugène Scribe's play Le Philtre

 

Adina
Renata Gebe-Fügi (debut)
Nemorino
Dobrița Roland (debut)
Belcore, Sergeant
Peti Tamás Otto
Dulcamara, miracle doctor
Zoltán Nagy
Giannetta, peasant girl
Antal Livia
Notary
László Veress
Ginepra
Viorica Barak-Bogoi
Martino
Márton Tóth
Tony
Zsombor Réty
Set designer
László Székely
Costume designer
Marta Pilinyi
Choreographer
Muresan Adrian
Faculty director
Kulcsár Szabolcs
Concertmaster
Sándor Barabás
Endre Ferenczi
Tutor
Zoltán Horváth
Great Gergő
Help
Julia Kostyak
Kondrat Bea
Supervisor
Pál Kincső
Collaborator of the director and choreographer
Cîmpean Rareş Arcadie
Conducting
Zsolt Jankó
Director
András Kürthy

English

Der Liebestrank by Donizetti, Ab (2023/2023), Unter der Regie von András Kürthy,, Dirigat Zsolt Jankó

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte