Name: Madama Butterfly
Start: 2021-12-17T00:00:00.000Z
End: 2022-02-17T00:00:00.000Z
Location: Opernhaus Kiel

Organization

Singer

Tenor

Mergen Sandanov

B.F. Pinkerton

Mezzo-soprano

Tatia Jibladze

Suzuki

Maria Gulik

Baritone

Stefano Meo

Sharpless

Fred Hoffmann

Goro

Bass

Matteo Maria Ferretti

Uncle Bonze

Hojoon Lee

Prince Yamadori

Elizabeth Tredent

Kate Pinkerton

Slaw Rotmann

Uncle Yakusidé

Andrzej Bernagiewicz

The imperial commissioner

Junggeun Choi

The official registrar

Stage director

Joachim Rathke

Conductor

Daniel Carlberg

Chorus master

Gerald Krammer

Lam Tran Dinh

Equipmen

Claudia Spielmann

Soprano

Agnieszka Hauzer

Cio-Cio-San

Elisabeth Raßbach-Külz

The aunt

Cornelia Möhler

The cousin

Anka Perfanova

Cio-Cio San's mother

Sergi Roca Bru

Costume designer

Theater Kiel

Others

Opernchor des Theaters Kiel

taliančina

Madama Butterfly -  (Madame Butterfly)

Kiel

Germany

Opernhaus Kiel

MADAME BUTTERFLY

Public

Private

Madame Butterfly

nemčina

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Madama Butterfly Puccini

Puccinis »Madame Butterfly« war bei der Uraufführung an der Mailänder Scala 1904 zwar der größte Misserfolg seines Lebens, wurde nach mehreren Überarbeitungen durch ihre farbig schillernde, hochemotionale und mit Exotismen spielende Klangwelt jedoch eine der bis heute meistgespielten Opern des Repertoires und zählt zu den Paradebeispielen der gesamten Gattung. Der europäische Blick auf zwei fremde Kulturen, »Japan« und die »USA«, steht im Zentrum dieses Stücks über Kultur- und Geschlechterkonflikte, das sich 2021 ganz neuen Fragen stellen muss. Diese Neubefragung unternimmt der Kieler Regisseur Joachim Rathke zusammen mit der intensiv mit Japan vertrauten Ausstatterin Claudia Spielmann in einer Lesart, die auch als Hommage an das Genre »Oper« gedeutet werden kann.

theaterKIEL*| Einführungen »Madame Butterfly« Claudia Spielmann über Bühne und Kostüm

Nagasaki, around 1900: The geisha Cio-Cio-San, known as Madame Butterfly, is sold by the Japanese marriage agent Goro to the American naval officer Benjamin Franklin Pinkerton for 100 yen. While Pinkerton sees his connection to Cio-Cio-San as "temporary marriage" and vacation enjoyment, Cio-Cio-San considers himself to be his legally wedded wife. Even when he left her in Japan, she believed in vain for three years in his return to her. One day, however, Pinkerton and his American wife Kate appear in Nagasaki to take their child with them to the United States. Cio-Cio-San's illusion of a future together with Pinkerton has been shattered. She only knows one way out of her misfortune ...

Puccini's “Madame Butterfly” was the biggest failure of his life when it was premiered at La Scala in Milan in 1904, but after several revisions it became one of the most frequently performed operas in the repertoire and is one of the prime examples thanks to its colorful, highly emotional and exotic soundscape the entire genus. The European view of two foreign cultures, »Japan« and the »USA«, is at the center of this piece about cultural and gender conflicts, which in 2021 will have to ask completely new questions. The Kiel director Joachim Rathke undertakes this new survey together with the designer Claudia Spielmann, who is very familiar with Japan, in a reading that can also be interpreted as an homage to the genre »opera«.

English

Madame Butterfly by Puccini, Od (2021/2022), Režírované Joachim Rathke,, Dirigent Daniel Carlberg, Sergi Roca Bru, Opernhaus Kiel, Kiel, Germany

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