Name: Maddalena ai piedi di Cristo
Start: 2022-04-10T00:00:00.000Z
End: 2022-04-10T00:00:00.000Z
Location: Auditorio Nacional de Musica

Organization

Conductor

René Jacobs

Concertmaster

Petra Müllejans

Singer

Tenor

Joshua Ellicott

Cristo

Soprano

Giulia Semenzato

Maddalena

Marianne Beate Kielland

Marta

Alto

Alberto Miguelez Rouco

Amore Celeste

Helena Rasker

Amore Terreno

Bass

Andrea Mastroni

Fariseo

Freiburger Barockorchester

Orchestra

Maddalena ai piedi di Cristo -  (Mary Magdalene at the Feet of Christ)

Madrid

Spain

Auditorio Nacional de Musica

Maddalena ai piedi di Cristo Caldara

Public

Mary Magdalene at the Feet of Christ

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Countertenor

Mezzo-soprano

Contralto

Bass-baritone

Child vocalist

Continuo

Silent

Spoken

In contrast to Antonio Vivaldi, Johann Sebastian Bach and Georg Friedrich Händel, Antonio Caldara as a baroque composer is only familiar to insiders today. His oratorio Maddalena ai piedi di Cristo (Magdalena at the feet of Christ) shows that he does not have to hide from the mighty triumvirate . All musicologists who deal with the work are of one mind: this oratorio is one of the most important sacred compositions of the early 18th century. The audience understands this judgment from the very first hearing. Like few others before him, Caldara is able to put the story of suffering around Magdalena into music with the utmost simplicity and to give each individual figure dramatic depth.

English

Mary Magdalene at the Feet of Christ by Caldara, Od (2022/2022), Dirigent René Jacobs, Auditorio Nacional de Musica, Madrid, Spain

Uznanie za predstavenie (Obsadenie & Tím )

Obsadenie

Posádka

Súbor

Program, informácie a súhrn

Fotografie

Ďalšie čítanie

Termíny a miesta vystúpení

Miesto konania