Name: Michael Barenboim Julien Quentin
Start: 2024-07-31T00:00:00.000Z
End: 2024-07-31T00:00:00.000Z
Location: Eglise de Verbier

Admin

Verbier Festival

Instrumentalist

Violinist

Michael Barenboim

Violin

Pianist

Julien Quentin

Piano

Violin I

Michael Barenboim / Julien Quentin

Bagnes

Switzerland

Eglise de Verbier

Michael Barenboim / Julien Quentin: Violin Sonata No. 1 in A Minor, M. 12 Ravel (+7 More)

Public

Violin Sonata No.1

Thème et variations

Berceuse, Op.38

Andantino quietoso, Op.6

Élégie for Cello and Orchestra in C Minor, op. 24

Elegie Op. 30

Pièce, Op.39

Concertstück

Akshay C K

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Countertenor

Bass

Tenor

Mezzo-soprano

Soprano

Bass-baritone

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Ravel’s posthumously-published Violin Sonata is a student fragment – a first movement, written in 1897, just before entering Fauré’s Paris Conservatoire composition class, but already featuring his trademark lyricism and modal harmonies. Messiaen’s early Thème et variations of 1932 presents its long-lined theme softly; then after four variations of increasing speed, the fifth restates it newly resplendent, an octave higher. Saint-Saëns’s Berceuse of 1897 matches its title with its serene cantabile style, whereas there’s a more urgent feel to the Andantino quietoso Franck penned in 1843 to perform with his brother, its piano accompaniment a richly swirling chordal one, which the violin then adopts towards the end, passing the melody to the piano. Like the Ravel, Fauré’s heartfelt Élégie of 1880 wasn’t conceived as a single-movement work – but Fauré tended to write his slow movements first, after which this felt like a standalone piece. Long-lined lyricism punctuated by more bravura turbulence are equally the story for Vieuxtemps’s 1848 Élégie, Chausson’s nostalgic Pièce of 1897, and Enescu’s technically demanding Concertstück, the latter a 1906 commission from Fauré, for the Paris Conservatoire’s annual viola competition.

English

Michael Barenboim / Julien Quentin by Ravel, Messiaen, Saint-Saëns, Franck, Fauré, Vieuxtemps, H., Chausson, Enescu, -tól (2024/2024), Eglise de Verbier, Bagnes, Switzerland

Előadás kreditek (Szereplők & Stáb )

Öntvény

Hangszerelés

Program, névjegy és szinopszis

Életrajz

További irodalom

Az előadások időpontjai és helyszínei

Helyszínek