Name: Moses und Aron
Start: 2006-06-03T00:00:00.000Z
End: 2006-06-19T00:00:00.000Z
Location: Wiener Staatsoper

Organization

Verbale

Franz Grundheber

Moses

Tenore

Thomas Moser

Aron

Direzione d'orchestra

Daniele Gatti

Scenografia

Wolfgang Gussmann

Costumi

Wiener Staatsoper

Soprano

Asa Elmgren

1. Solostimme

Mezzosoprano

Michaela Selinger

2. Solostimme

Contralto

Daniela Denschlag

3. Solostimme

John Dickie

4. Solostimme

Baritono

Marcus Pelz

5. Solostimme

Basso

Johannes Wiedecke

6. Solostimme

Direzione del coro

Jozef Chabron

Janina Baechle

Cantante

Jens Musger

Three elders

Johannes Gisser

Jeong-Ho Kim

Oleg Savran

Michael Wilder

Konrad Huber

Cosmin Ifrim

The Twelve Chiefs

Marian Talaba

Herwig Pecoraro

Michael Roider

Benedikt Kobel

Karl-Michael Ebner

Clemens Unterreiner

Hans Peter Kammerer

Alfred Sramek

Wolfgang Bankl

Walter Fink

Janusz Monarcha

Regia

Reto Nickler

Susana Mendoza

Luci

Andreas Grüter

Video

Fett Film

Momme Hinrichs

Torge Møller

Norbert Balatsch

Janko Kastelic

Ildikó Raimondi

Mädchen

Kranke

Peter Jelosits

Jüngling

Johann Reinprecht

Nackter Jüngling

Morten Frank Larsen

Mann

Georg Tichy

Ephraimit

Alexandru Moisiuc

Priester

Ileana Tonca

1. nackte Jungfrau

2. nackte Jungfrau

Cornelia Salje

3. nackte Jungfrau

Margareta Hintermeier

4. Nackte Jungfrau

Teatro Real de Madrid

Orchestra

Orchester der Wiener Staatsoper

Others

Slovak Philharmonic Choir

tedesco

Moses und Aron -  (Mosè e Aronne)

Vienna

Austria

"After more then 30 years of absence, the Vienna State Opera dedicates a new staging to Schoenberg’s unfinished opera Moses und Aron with Franz Grundheber as Moses and Thomas Moser as Aron – a breathtaking and multimedia opera highlight accompanied by the chorus and orchestra of the Vienna State Opera conducted by Daniel Gatti.

Possibly Schoenberg’s finest work, and certainly one that he held close to his heart, is his unfinished opera Moses und Aron. Even more than his play Der biblische Weg, Moses und Aron represents Schoenberg’s finest attempt at meshing his philosophical ideas with his artistry. It is a work that can be approached on many different levels: as an example of his twelve-tone system, as a work of biblical commentary, or as an attempt to work out the problems facing the Jew in the modern world."

Libretto di produzione

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