Name: Mozart
Start: 2020-01-24T00:00:00.000Z
End: 2020-01-24T00:00:00.000Z
Location: Liszt Academy

Artist

Admin

Director(a) orquestal

Zsolt Hamar

Instrumentista

Sharon Kam

Clarinet

Cantante

Soprano

Szabina Schnöller

Mezzosoprano

Andrea Szántó

Tenor

Ninh Duc Hoang Long

Bajo

Krisztián Cser

Others

Hungarian National Choir

Orchestra

Hungarian National Philharmonic

Mozart

Budapest

Hungría

Liszt Academy

Public

Private

Requiem de Mozart

Sinfonía n.º 25 en sol menor, K. 183

Clarinet Concerto No. 2 in E flat major, op. 74

Válido

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chefdirigent Musiktheater

Chorus Director

Compositor(a)

Coreógrafo(a)

Coro

Director(a) coral

Director(a) de escena

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

Escenógrafo(a)

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Bajobarítono

Contralto

Barítono

Contratenor

Alto

Papel de hablante

Papel mudo

Vocalista infantil

Mozart: Requiem, K.626 Mozart (+2 More)

As we all know, Mozart left us his Requiem in an unfinished state. He wrote no more than eight measures of the Lacrimosa movement, drafted a fugue theme for the closing movement, and outlined the two movements following the Offertorium, but nothing else of the remainder. Since a nobleman who refrained from revealing his name had commissioned the work for a substantial sum, Mozart’s widow went looking for help to complete it. Several composers turned down the task, leaving Franz Xaver Süssmayr, a friend of modest talent, to finish the job. He salvaged what could be salvaged. He kept away from the fugue theme, as he did not know how to write a fugue. It was in this form that the work became widely known. While numerous better and more stylish attempts were made in the 20th century to complete it, none of them became widespread. Süssmayr’s version remained beloved by posterity. Was this a miracle? Had Divine Providence multiplied the skills of a mediocre musician? No, says Alon Schmuckler, a music historian blessed with a powerful imagination. The explanation is simple. It was Mozart himself who finished the piece. Because he had merely feigned his death in December 1791 in order to avoid the onerous taxes. After the faked funeral, Mozart moved to Budapest, took a room with the widow Mrs Tamássy, and had many adventures thereafter. Naturally, Konstanze was in on all this too. It is a beautiful story. The audience can decide whether they believe in the miracle or in the colourful story. Or perhaps they believe in neither and prefer to create their own new ending. The so-called “little” Symphony No. 25 in G minor and Weber’s Clarinet Concerto No. 2 raise no such questions. That would be too much for one evening.

English

Mozart by Mozart, Von Weber, De (2020/2020), Director Zsolt Hamar, Liszt Academy, Budapest, Hungría

Créditos de presentación (Elenco & Equipo )

Elenco

Ensamble

Programa, Acerca de & Sinopsis

Fotografías

Más información

Fechas y lugares de actuación

Lugares