Name: Mozart
Start: 2020-01-24T00:00:00.000Z
End: 2020-01-24T00:00:00.000Z
Location: Liszt Academy

Artist

Admin

Conductor

Zsolt Hamar

Instrumentalist

Sharon Kam

Clarinet

Singer

Soprano

Szabina Schnöller

Mezzo-soprano

Andrea Szántó

Mezzosoprano

Tenor

Ninh Duc Hoang Long

Bass

Krisztián Cser

Others

Hungarian National Choir

Orchestra

Hungarian National Philharmonic

Mozart

Budapest

Hungary

Liszt Academy

Public

Private

Requiem

Symphony No. 25 in G Minor, K. 183

Clarinet Concerto No. 2 in E flat major, op. 74

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Mozart: Requiem, K.626 Mozart (+2 More)

As we all know, Mozart left us his Requiem in an unfinished state. He wrote no more than eight measures of the Lacrimosa movement, drafted a fugue theme for the closing movement, and outlined the two movements following the Offertorium, but nothing else of the remainder. Since a nobleman who refrained from revealing his name had commissioned the work for a substantial sum, Mozart’s widow went looking for help to complete it. Several composers turned down the task, leaving Franz Xaver Süssmayr, a friend of modest talent, to finish the job. He salvaged what could be salvaged. He kept away from the fugue theme, as he did not know how to write a fugue. It was in this form that the work became widely known. While numerous better and more stylish attempts were made in the 20th century to complete it, none of them became widespread. Süssmayr’s version remained beloved by posterity. Was this a miracle? Had Divine Providence multiplied the skills of a mediocre musician? No, says Alon Schmuckler, a music historian blessed with a powerful imagination. The explanation is simple. It was Mozart himself who finished the piece. Because he had merely feigned his death in December 1791 in order to avoid the onerous taxes. After the faked funeral, Mozart moved to Budapest, took a room with the widow Mrs Tamássy, and had many adventures thereafter. Naturally, Konstanze was in on all this too. It is a beautiful story. The audience can decide whether they believe in the miracle or in the colourful story. Or perhaps they believe in neither and prefer to create their own new ending. The so-called “little” Symphony No. 25 in G minor and Weber’s Clarinet Concerto No. 2 raise no such questions. That would be too much for one evening.

English

Mozart by Mozart, Von Weber, Nuo (2020/2020), Dirigentas Zsolt Hamar, Liszt Academy, Budapest, Hungary

Veiklos kreditai (Atlikėjai ir kūrėjai )

Atlikėjai

Ansamblis

Programa, apie ir aprašymas

Nuotraukos

Toliau skaitant

Spektaklio datos ir vietos

Vietos