Name: Mozart: Rèquiem
Start: 2023-07-05T00:00:00.000Z
End: 2023-07-06T00:00:00.000Z
Location: L'Auditori

Organization

Chorus master

Xavier Pastrana

Conductor

Trevor Pinnock

Soprano

Serena Sáenz

Contralto

Avery Amereau

Alto

Tenor

Jorge Navarro Colorado

Bass

Erik Rosenius

L'Auditori

Orchestra

Orquesta Sinfónica de Barcelona y Nacional de Cataluña

Ensemble O Vos Omnes

Mozart: Rèquiem

Barcelona

Spain

Sala 1 Pau Casals

Mozart: Rèquiem: Concert Various

Public

Symphony No. 40

Ave Verum Corpus K618

Requiem

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Bass-baritone

Countertenor

Baritone

Mezzo-soprano

Spoken

Child vocalist

Silent

Continuo

Erik Rosenius as bass soloist in Mozart requiem at Láuditori in Barcelona

Requiem in D Minor, a work of legendary fame, marks a highpoint in W. A. Mozart’s late period dedicated to sacred music. A work that went unfinished due to the composer’s premature death, it is an autobiographical testimony to the composer, over and beyond his treatment of the themes of death and Divine Judgement. Mozart’s use of dramatic action breathes new life into this sacred genre, with a sound that shines out to create a powerfully intense experience. His disciple Franz Xaver Süssmayr, who had already assisted him with other contemporary works such as The Magic Flute and The Clemency of Titus, finished off the requiem: a work with some pending issues since Mozart posed the question of death, but it still remains unresolved.
Mozart’s famous Symphony No. 40 stands out among his last three symphonies and among all those that he wrote in Vienna for its masterly use of wind instruments in the orchestral texture and for its bold harmonics, which are unique to this work. This masterpiece contains all the promise and heralds all the potential that would later be reflected in Romantic symphonies.

Despite the brevity of this motet on the death of God made man, Ave verum corpus is considered to be “the most sublime work of art ever written by Mozart” in the opinion of leading 20th expert in Mozart, Bernhard Paumgartner.

English

Embolcallada en un nimbe de llegenda, la Missa de Rèquiem és la culminació d’una etapa en l’obra tardana de Wolfgang Amadeus Mozart, dedicada a la música religiosa. Truncada per la prematura mort del compositor durant el seu procés de creació i veritable document autobiogràfic, aquesta obra va més enllà del tractament de la mort i del Judici Diví. Mozart genera una acció dramàtica capaç de renovar el gènere sacre, on l’expressió vocal sobresurt per il·luminar una experiència desbordant. El seu deixeble Franz Xaver Süssmayr, que ja l’havia assistit en obres coetànies com La flauta màgica o La clemència de Tito, va completar una partitura al voltant de la qual persisteixen nombrosos interrogants: Mozart va plantejar la qüestió de la mort, però la seva pregunta va quedar sense resposta.
Entre la producció simfònica de Mozart a Viena i les tres últimes simfonies destaca la cèlebre Simfonia n. 40 pel seu magistral ús del vent en la textura orquestral i per una escriptura harmònica de gran audàcia, única en tota la seva producció. Aquesta obra mestra conté i anuncia tot el potencial que eclosionarà al simfonisme romàntic.

Malgrat la seva brevetat, el motet Ave verum corpus, dedicat al misteri de la mort de Déu fet home, ha estat considerat per Bernhard Paumgartner, un dels grans especialistes del segle XX en el compositor, com “l’obra d’art més sublim escrita per Mozart”.

català

Mozart: Rèquiem by Mozart, -tól (2023/2023), Karmester Xavier Pastrana, Trevor Pinnock, L'Auditori, Barcelona, Spain

Előadás kreditek (Szereplők & Stáb )

Együttes

Program, névjegy és szinopszis

Életrajz

További irodalom

Az előadások időpontjai és helyszínei

Helyszínek