Name: Musique Funèbre (Funeral Music)
Start: 2022-11-11T00:00:00.000Z
End: 2022-11-11T00:00:00.000Z
Location: Herz-Jesu-Kirche

Organization

Singer

Julie Fuchs

Soprano Soloist

Angela Brower

Mezzo Soprano Soloist

Benjamin Hulett

Tenor Soloist

Orchestra

Munich Radio Orchestra

Münchner Rundfunkorchester

Conductor

Ivan Repušić

Others

Chor des Bayerischen Rundfunks

Soprano

Ilse Eerens

Soprano I

Soprano II

Tenor

Tenore

vokiečių

Musique Funèbre (Funeral Music)

Munich

Germany

Herz-Jesu-Kirche

Musique funèbre: Concert Various

Public

Private

Concert

Musique funèbre

Davide penitente

Viacheslav Shumov

anglų

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Contralto

Baritone

Bass-baritone

Bass

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

t was supposed to be funeral music for the 10th anniversary of Béla Bartók's death, but Witold Lutosławski (1913–1994) delivered it three years too late. Nevertheless, his "Musique funèbre", premiered at the Warsaw Autumn Festival in 1958, was in many respects a remarkable composition that made him known in the West and showed many fellow Eastern European composers the way out of the production of affirmative, Soviet-influenced "folk art". The cantata "Davide penitente" by Wolfgang Amadé Mozart was also commissioned. For the purpose of a concert by the charitable Tonkunstler Society, Mozart reworked his great Mass in C minor into a cantata about the repentant David.

English

Es sollte eine Trauermusik auf den 10. Todestag von Béla Bartók werden, Witold Lutosławski (1913–1994) lieferte jedoch drei Jahre zu spät. Dennoch wurde seine 1958 beim Warschauer Herbst uraufgeführte „Musique funèbre“ in vielerlei Hinsicht eine bemerkenswerte Komposition, die ihn im Westen bekannt machte und vielen osteuropäischen Komponistenkollegen den Weg aus der Produktion affirmativer, sowjetisch geprägter „Volkskunst“ wies. Auch die Kantate „Davide penitente“ von Wolfgang Amadé Mozart war eine Auftragskomposition. Für den Zweck eines Konzerts der wohltätigen Tonkünstler-Societät arbeitete Mozart seine große c-Moll-Messe zur Kantate über den reuigen David um.

Deutsch

Musique Funèbre (Funeral Music) by Lutosławski, Mozart, Nuo (2022/2022), Dirigentas Ivan Repušić, Herz-Jesu-Kirche, Munich, Germany

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