Name: Orchestre de Paris Klaus Mäkelä
Start: 2022-11-30T00:00:00.000Z
End: 2022-12-01T00:00:00.000Z
Location: Philharmonie de Paris

Organization

Conductor

Klaus Mäkelä

Soprano

Mari Eriksmoen

Mezzo-soprano

Wiebke Lehmkuhl

Mezzo-Soprano

Chorus master

Ingrid Roose

Cité de la Musique-Philharmonie

Others

Chœur de l'Orchestre de Paris

Orchestra

Orchestre de Paris

Orchestre de Paris / Klaus Mäkelä

Paris

France

Philharmonie de Paris

Orchestre de Paris / Klaus Mäkelä: Concert

Public

Concert

Latest

Symphony No. 2 in C Minor, ("Resurrection Symphony")

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Tenor

Baritone

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Orchestre de Paris / Klaus Mäkelä: Concert Various

Preceded by an exceptional meeting with Betsy Jolas, whose Orchester de Paris has the privilege of creating a new score, this concert plunges us, with Mahler, into an existential dialectic between joy and distress, finitude and resurrection.

A vast poem on the end of time, the “ Resurrection ” Symphony bears witness to Mahler's incredible ability to project his metaphysical anguish into immense dramatic and musical architectures. The initial movement sets the underlying program: it is nothing less than the condition of man and his terrible finitude. Tumultuous, with the irruption of the Dies Irae , this movement gives way to a smiling Andante , in the rustic spirit of a ländler . But the tumult returns with a rondo with devilish contours, for which Mahler delivers the ironic, grating version of a song from the Knaben Wunderhorn . Preceded by the Urlicht, a poignant vocal appeal to the “original light”, the final movement uses a poem by Klopstock, Resurrection , to plunge the human subject back into his insoluble inner struggle. A major score, preceded by the exceptional event of the creation of a new work by a major figure of our time, Betsy Jolas.

English

Orchestre de Paris / Klaus Mäkelä by Jolas, Mahler, Noiztik (2022/2022), Zuzendaria Klaus Mäkelä, Philharmonie de Paris, Paris, France

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