Name: Orfeo ed Euridice
Start: 2021-11-30T00:00:00.000Z
End: 2021-11-30T00:00:00.000Z
Location: Zaryadye Hall

Organization

Countertenor

Dmitry Korchak

Orfeo

Soprano

Andriana Chuchman

Euridice

Lauren Snouffer

Amor

Stage director

John Neumeier

Conductor

Harry Bicket

Costume designer

Set designer

Choreographer

Orchestra

Lyric Opera of Chicago Orchestra

Zaryadye Hall

Orfeo ed Euridice -  (Orpheus and Eurydice)

Moscow

Russia

Orfeo ed Euridice Gluck

Public

Orpheus and Eurydice

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Contralto

Tenor

Baritone

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

In ancient myth, the musician Orpheus, grieving for his dead wife Eurydice and supported by Cupid, is not afraid to descend into the kingdom of shadows and, having begged for a gift from the gods and extortions of furies, takes Eurydice out of hell, struggling with the desire to look at his beloved. In 1762, the Viennese court composer Christoph Wilibald Gluck (1714-1787) uses this plot for an opera in Italian, where the part of Orpheus is intended for an alto castrato. And in 1774, Gluck made an extended French version of it, adding, according to the rules of the Parisian stage, more dances and transferring the main part to a high tenor.  

The remarkable opera is considered a pioneer for the Baroque era - since it subordinates music to the development of drama - and extremely difficult for singers. At the same time, there is little actual action in it, which is why it is often heard in concerts, with abbreviated ballet numbers. But in 2017, the outstanding contemporary choreographer John Neumeier staged it - not as an opera with ballet numbers and not as a ballet with opera inserts, but as a real synthesis of the two genres.

English

Orpheus and Eurydice by Gluck, Od (2021/2021), Režírované John Neumeier,, Dirigent Harry Bicket, Zaryadye Hall, Moscow, Russia

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