Name: Orphée aux enfers
Start: 2022-01-09T00:00:00.000Z
End: 2022-01-09T00:00:00.000Z
Location: Opernloft im Alten Fährterminal Altona

Organization

Singer

Lisa Ziehm

SOPRANO

Tim Maas

BASS BARITONE

Stage director

Kerstin Steeb

Sound designer

Tom Gatza

Equipment

Hanne Lenze-Lauch

VOICE FROM THE OFF

Hannes Hellmann

Opernloft im Alten Fährterminal Altona

Orphée aux enfers -  (Orpheus in the Underworld)

Hamburg

Germany

Orphée aux enfers Offenbach

Public

Orpheus in the Underworld

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Bass-baritone

Soprano

Baritone

Countertenor

Contralto

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

Orpheus and Eurydice were a dream couple. But now they've had enough of each other. They need space and want to get divorced. The lovers are ready. Only "public opinion" has something against it. Can the audience influence the course of the divorce - and maybe even the play?

Jacques Offenbach's "Orpheus in the Underworld" parodies the Greek legend of Orpheus and Eurydice and at the same time exposes the double standards of the better society of the French Empire. The special mixture of humor and criticism is taken by the director Kerstin Steeb, who is already at the Opernloft for the third time staged, under the magnifying glass. The Corona-compatible format with a singer becomes a workshop production that radically questions "Orpheus in the Underworld" with regard to its current relevance.

বাংলা

Orpheus in the Underworld by Offenbach, Fra (2022/2022), Instrueret af Kerstin Steeb,, Opernloft im Alten Fährterminal Altona, Hamburg, Germany

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

Produktionshold

Program, Information & Oversigt

Videoer

Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder