Organization

Admin

Münchens Kleinstes Opernhaus in der Pasinger Fabrik

Singer

Countertenor

Niklas Mallmann

Orfeo

Soprano

Carolin Ritter

Amor

Maria Margarethe Brunauer

Costume designer

Christel Gebhardt

Conductor

Andreas Pascal Heinzmann

Stage director

Melanie Renz

Set designer

Claudia Weinhart

Johannes Geitl

Lighting designer

Jo Hübner

Lemuel Cuento

Jupiter

Sophie-Magdalena Reuter

Euridice

Elif Aytekin

Andreas Agler

Pluto

Stefan Kastner

Karolina Plicková

Persephone

Angela Ahiskal

Georg Lickleder

Charon

Philipp Gaiser

Bacchus

Bernd Gebhardt

Orchestra

Zehnköpfiges Orchester

Tenor

Ansgar Theis

Bass

Caronte

Baritone

Aristaeus / Pluto

Orpheus

Eurydice

Proserpina

Mezzo-soprano

Cupid

germană

Munich

Germany

Pasinger Fabrik

Wagenhalle

Orpheus: Orfeo ed Euridice Gluck (+2 Mehr)

Public

Orpheus and Eurydice

Orpheus in the Underworld

Keerthi Raj

Approved

Orpheus: Orfeo ed Euridice Gluck (+2 More)

Münchens Kleinstes Opernhaus in der Pasinger Fabrik schafft mit einer Neuinterpretation der Orpheus-Sage eine Weltpremiere: Inspiriert von drei Meilensteinen der Musikgeschichte - Claudio Monteverdis L’Orfeo (UA 1607 in Mantua), Christoph Willibald Glucks Orfeo ed Euridice (UA 1762 in Wien) und Jacques Offenbachs Orphée aux enfers (UA 1858 in Paris) - verwirklichen der Musikalische Leiter Andreas Pascal Heinzmann (Idee), Regisseurin Melanie Renz und Librettist Paul Wiborny eine neue musikalisch-dramaturgische Verbindung der beliebten Opern in einem Stück. 
Dieses so zuvor nie gesehene Musikdrama (Instrumentation: A. P. Heinzmann und Jörg-Oliver Werner) wird mit acht Sängerinnen und Sängern sowie zehnköpfigem Orchester auf die Bühne gebracht. Sie zeigen die seit der griechischen Mythologie immer wieder abgewandelt erzählte Geschichte von Orpheus und Eurydike aus abermals neuer Perspektive. Ernst und tief ist die Liebe der Protagonisten, eingebettet in skurrile Episoden und witzige Dialoge in der Götterwelt. Bühnenbild (Claudia Weinhart) und Kostüme (Johannes Geitl) spiegeln die Universalität des Stoffes wider und sorgen gleichzeitig für ästhetische Extravaganz.

Deutsch

Munich's smallest opera house in the Pasinger Fabrik creates a world premiere with a new interpretation of the Orpheus legend: Inspired by three milestones in music history - Claudio Monteverdi's L'Orfeo (UA 1607 in Mantua), Christoph Willibald Gluck's Orfeo ed Euridice (UA 1762 in Vienna) and Jacques Offenbach's Orphée aux enfers (UA 1858 in Paris) - the musical director Andreas Pascal Heinzmann (idea), director Melanie Renz and librettist Paul Wiborny realize a new musical-dramaturgical combination of the popular operas in one piece.

This unprecedented music drama (instrumentation: AP Heinzmann and Jörg-Oliver Werner) is brought to the stage with eight singers and a ten-piece orchestra. They show the story of Orpheus and Eurydice, which has been told in different ways since Greek mythology, from a new perspective. The love of the protagonists is serious and deep, embedded in bizarre episodes and funny dialogues in the world of the gods. Stage design (Claudia Weinhart) and costumes (Johannes Geitl) reflect the universality of the material and at the same time ensure aesthetic extravagance.

In this way, the new Orpheus, embracing three centuries of operatic history, becomes a symbol for the entire opera house: for 25 years, Munich's smallest opera house has been offering opera for all feelings and has been very successful in welcoming a broad audience.

English

Orpheus by Gluck, Monteverdi, Offenbach, De la (2023/2024), Regizat de către Melanie Renz,, Dirijor Andreas Pascal Heinzmann, Pasinger Fabrik, Munich, Germany

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