Name: Paradise
Start: 2016-10-09T00:00:00.000Z
End: 2016-10-11T00:00:00.000Z
Location: MUMUTH

Organization

Steirischer Herbst

musikprotokoll

Bühnenbild

Judith Selenko

Videogestaltung

Monica Duncan

Sänger

Sprechrolle

Mario Lopatta

Cyborg

Sopran

Svetlana Speil

Puppet

Jerilyn Chou

Choir

Maria Prvulj

Helena Sorokina

Rodrigo Algara Woodhouse

Roman Ruckhofer

Sreten Manojlovic

Lichtgestaltung

Ralf Beyer

Tongestaltung

Ulrich Gladisch

Schristian Scheucher

Peter Venus

Orchestra

PPCM-Studierende des Klangforums Wien

Universität für Musik und darstellende Kunst Graz

Englisch

Paradise

Graz

Österreich

MUMUTH

Public

Private

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chefdirigent Musiktheater

Chor

Chordirektion

Choreographie

Chorus Director

Dirigat

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Kostümbild

Lehrer

Leitender Produzent

Libretto

Maske

Orchester

Orchestra Operations

Photographer

Poet

Regie

Rundfunk

Schauspiel

Stage Manager

Tänzer

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bass-Bariton

Bariton

Countertenor

Bass

Mezzosopran

Tenor

Alto

Continuo

Kinderstimme

Singer

Stumme Rolle

PARADISE (2015–16) (https://martinhiendl.com/paradise/)Opera installation for 8 voices, ensemble, electronics and video (120 min.)written for the musikprotok...

In this opera installation, inspired by the 1995 science fiction anime classic "Ghost in the Shell" by Mamoru Oshii, two protagonists search for their "natural" voices. One of them – She – might have been a cyborg once, a creature of technology, a human machine, a machine-like human, an asexual being, and yet driven by a desire to know more about her origins, doubting her identity. Having turned into a mass product, her voice no longer signifies uniqueness. The other one – He/She/It – is a new entity: A Golem, Frankenstein or Puppet Master, a living thing striving for individuality. A relationship develops between the two that tells of the nature and boundaries of identity, of hybrid bodies, split egos and the need for recognition. We are in PARADISE, in the Garden of Eden, which we don’t recognise, which never existed. It is but a human invention – it means no more than a word to a cyborg.
This garden is a place designed for people to walk around. PARADISE is an opera consisting not of chronological sequences, but of spatialised scenes, of walk-in spaces. The music and bodies are trapped in these spaces, leaving it to the audience when to enter a scene and when to leave it.
Awards
Johann-Joseph-Fux Opera Composition Competition Graz
Radio
▶︎ ORF Zeitton
__________
Graz, AU
October 9/10/11, 2016 | Musikprotokoll @ MuMuth

English

Paradise by Hiendl, Ab (2016/2016), MUMUTH, Graz, Österreich

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Co-Produzent

Programm, Über & Zusammenfassung

Videos

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte