Organization

Conductor

Jerzy Wołosiuk

Stage director

Marc Lainé

Set designer

La Monnaie/De Munt

Teatr Wielki - Opera Narodowa

Orchestra

Orchestra of the Polish National Opera

Queen Elisabeth Music Chapel

pólska

Paria -  (The Pariah)

Warsaw

Poland

Paria Moniuszko

Public

Private

The Pariah

enska

franska

þýska

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Singer

Tenor

Countertenor

Mezzo-soprano

Baritone

Bass

Bass-baritone

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Stanisław Moniuszko is in the process of writing an operatic version of Don Quixote in Paris nearly half a century before Massenet. Struggling with a writer’s block and mounting time pressure, he suffers from a nervous breakdown which leaves him unable to tell fiction from reality. If you do not know how dangerous an artist in crisis may become, think The Shining by King/Kubrick. Fortunately, Andrzej Kwieciński, the young star of the Polish music avant-garde behind Moniuszko à Paris, envisaged the piece as a comic opera. Drawing inspiration from the Modernist idiom, he attempts to develop a new bel canto style. Considering that he values intensity, emotionality, self-expression and scream, as he himself revealed in an interview for Glissando magazine, it is no wonder he eventually ventured into opera. ‘I’m absolutely fascinated by ugliness in music. I’ve often worked with material rejected by classical composers (…). In any case, I know exactly what kind of singing I want to have, both aesthetically and technically: constant shifts between falsetto and chest voice. This produces the effect of chaos,’ said the composer. Let us see if there is a method to this madness. Commissioned by the Polish National Opera, the piece will be given its debut at the 62nd Warsaw Autumn International Festival of Contemporary Music.

English

The Pariah by Moniuszko, Frá (2019/2019), Leikstýrt af Marc Lainé,, Hljómsveitarstjóri Jerzy Wołosiuk

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