Organization

Chanteur

Soprano

Brenda Rae

Partenope

Sabina Puértolas

Contralto

Teresa Iervolino

Rosmira

Daniela Mack

Iestyn Davies

Arsace

Franco Fagioli

Anthony Roth Costanzo

Armindo

Christopher Lowrey

Ténor

Jeremy Ovenden

Emilio

Juan Sancho

Basse

Nikolay Borchev

Ormonte

Gabriel Bermúdez

Mise en scène

Christopher Alden

Direction d'orchestre

Ivor Bolton

Lumières

Adam Silverman

Costumes

Jon Morrell

Décors

Andrew Lieberman

Opera Australia

Teatro Real de Madrid

English National Opera

San Francisco Opera

Orchestra

Orquesta Sinfónica de Madrid

italien

Madrid

Espagne

Teatro Real

Sala Principal

Four suitors for one woman –one is a transvestite in disguise – is the point of departure of one of the most remarkable operas composed by Handel for the audiences of London. With Partenope, the Saxon composer employed a dramatic register that combined the antihero and satirical character of 17th century Venetian operas with the sentimental comedies of confusion that characterized opera buffa. Rejected by the head of the Royal Academy of Music because the libretto was a product of “the depraved taste of the Italian audience”, nonetheless, Partenope was such a commercial success that it was revived seven years later on the same stage at the King’s Theatre.

At a distance from the musical conventions of opera seria, the score of Partenope is lighter than customary, with its short arias and numerous ensembles. These push the action forward and bring it closer to a symbiosis between the singing voice and theatre. The stage direction of Christopher Alden –recipient of the Oliver Award for the Best New Opera Production in 2009– brings this delightful work to life in a sophisticated and urban setting inspired by the mansion of Nancy Cunard, where the world of photographer and visual artist Man Ray plays an important part.

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