Organization

Conductor

Nicola Pascoli

Orchestra

Friulian Philharmonic Youth Orchestra

i Filarmonici Friulani

Passion And Resurrection

Udine

Italy

Codroipo

Passion And Resurrection: Symphony No. 49 in F Minor, Hob. I/49

Public

Symphony No. 49 in F Minor, Hob. I/49

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Singer

Contralto

Baritone

Soprano

Tenor

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

The Symphony No. 49 by Franz Joseph Haydn, written in 1768, bears the subtitle "The Passion". Some read in this denomination a simple reference to the particularly stormy and impetuous charge of the symphony: "passion" therefore understood in an emotional and affective sense, as something that disturbs and moves the soul.

Tradition, however, refers this title to its religious meaning, assuming that the symphony was completed or performed during the celebrations of Holy Week: this particular ambiguity of interpretation is perhaps what Haydn himself wanted, with regard to an absolutely peculiar symphony, with the its four movements arranged according to the slow-fast alternation (perhaps to imitate the forms of sacred music) and all in the same key, F minor, substantially unused by all his contemporaries due to its particular gloom and darkness. 

The Resurrection of Christ by Jacopo Tomadini from Cividale, from 1863, is a cantata for choir, soloists and orchestra, on a paraphrase of the sequence Victimae Paschali . A full-bodied and interesting work, it was even appreciated by Franz Liszt, who often met Tomadini in Rome and remained in correspondence with him for several years. Anticipating what a few years later would take the name of "Cecilian movement", Tomadini chooses to renounce, in sacred music, the operatic taste that dominated Italian productions, opting for a less exaggerated and manifest expressiveness: it is no coincidence that contemporaries see in Resurrectionof kinship with Haydn's oratorios, particularly in the well-finished instrumental parts and in the classical taste which always elegantly tries to avoid easy exaggerations. 

After the first performance, which took place in Florence in 1864, the work underwent very few subsequent revivals. What we are presenting is the first performance since 1977, the year in which the Resurrection was performed at the Alla Scala theater in a fundraising evening for the Friuli earthquake. Tonight's performance was also the occasion to produce the first modern edition (and first ever critical edition) of the work, now available to the public after long years of oblivion.

English

Passion And Resurrection by Haydn, De la (2022/2022), Dirijor Nicola Pascoli

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