Name: Perspectives: Philip Glass Cocteau Trilogy
Start: 2024-06-15T00:00:00.000Z
End: 2024-06-15T00:00:00.000Z
Location: National Concert Hall (NCH)

Admin

Barbican Centre

Cité Musicale - Metz

Opéra National de Bordeaux

National Concert Hall

Cité de la Musique-Philharmonie

Instrumentalist

Katia Labèque

Piano I

Marielle Labèque

Piano II

Perspectives: Philip Glass Cocteau Trilogy

Dublin

Ireland

National Concert Hall (NCH)

Main Stage

Perspectives: Philip Glass Cocteau Trilogy: La Belle et la Bête Glass (+2 More)

Public

Private

Beauty and the Beast

The Terrible Children

Orphée

Jnanakumar P

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Singer

Mezzo-soprano

Contralto

Soprano

Baritone

Tenor

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

NCH is pleased to collaborate on this new commission by Katia and Marielle Labèque for Phillip Glass. 

In 1964, at the age of 27, Philip Glass moved to Paris to study under Nadia Boulanger. Their meeting would prove decisive in the young composer’s training and afforded him an immersion into French culture that left a lasting impression on the artist. His love of France also gave him a command of the French language that would help him to write and versify the operas that he dedicated to Cocteau during the 1990s.

In 2021, Katia and Marielle Labèque created the instrumental suites for two pianos taken from Philip Glass’s opera Les Enfants Terribles, based on the film by Cocteau. The success of both the record and their concerts – held at venues including the Philharmonie de Paris – left the pianists all the more eager to ask Philip Glass and his music director Michael Riesman to complete the trilogy by applying the same method to the remaining two operas in the Cocteau Trilogy: Orphée and La Belle et la Bête.

Katia and Marielle Labèque are renowned for the energy and synchronicity of their duets. They are regularly invited as guest performers by the most prestigious orchestras, including the Berlin Philharmonic, Bayerischer Rundfunk, the Chicago Symphony Orchestra, the Cleveland Orchestra, the Leipzig Gewandhaus, the London Symphony Orchestra, the London Philharmonic Orchestra, the Los Angeles Philharmonic, the Orchestre de Paris, the Staatskapelle Dresden, the Royal Concertgebouw Amsterdam, and the Vienna Philharmonic, led by conductors such as Marin Alsop, Semyon Bychkov, Gustavo Dudamel, Gustavo Gimeno, Mirga Gražinytė-Tyla, Pietari Inkinen, Louis Langrée, Zubin Mehta, Andrés Orozco-Estrada, Seiji Ozawa, Antonio Pappano, Matthias Pintscher, Georges Prêtre, Sir Simon Rattle, Santtu-Matias Rouvali, Esa-Pekka Salonen, Michael Tilson Thomas, and Jaap van Zweden.

The concert is presented in a special design by acclaimed French director Cyril Teste (Artistic Director) and Nina Chalot (Stage Design).

Produced by Philharmonie de Paris in a Co-production with Barbican Centre, National Concert Hall - Dublin, Cité Musicale - Metz, Opéra National de Bordeaux.

English

Perspectives: Philip Glass Cocteau Trilogy by Glass, De (2024/2024), National Concert Hall (NCH), Dublin, Ireland

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