Organization

Opernhaus Zürich

Direction d'orchestre

Emmanuelle Haïm

Mise en scène

Jetske Mijnssen

Décors

Ben Baur

Costumes

Hannah Clark

Lumières

Bernd Purkrabek

Chorégraphie

Kinsun Chan

Direction de choeur

Janko Kastelic

Dramaturgie

Kathrin Brunner

Chanteur

Ténor

Mathias Vidal

Platée

Baryton-basse

Evan Hughes

Jupiter

Soprano

Katia Ledoux

Junon

Renato Dolcini

Cithéron

Alasdair Kent

Thespis

Nathan Haller

Mercure

Mary Bevan

La Folie

Theo Hoffman

Momus

Anna El-Khashem

Clarine

Thalie

Tania Lorenzo Castro

Amour

Others

Chor der Oper Zürich

Orchestra

La Scintilla

Statistenverein am Opernhaus Zürich

Soyoung Lee

Erste Mänade

Selena Colombera

Zweite Mänade

Un Satyre

Federica Porleri

Dancers

Sina Friedli

Juliette Rahon

Valentina Rodenghi

Dustin Eliot

Steven Foster

Valerio Porleri

Roberto Tallarigo

français

Zurich

Suisse

Opernhaus

Platée Rameau

Public

Opéra

allemand

anglais

Valide

Als «grandios gelungene Mischung aus guter Laune und Underdog-Schicksal» lobt die Süddeutsche Zeitung Jetske Mijnssens Neuinszenierung von «Platée», die am v...

platee
"Ouffe!..." is the puzzled comment of the water nymph Platée when she is ensnared with flattering words by the supreme god Jupiter. Platée - played by a tenor - lives in a swamp, is the ruler of numerous crawling animals and believes that all men should fall in love with her. But the father of the gods himself? It does not end well for the nymph in need of love, because the gods are playing a cruel, set-up game with her: Jupiter only pretends to get involved with Platée in order to heal his goddess Juno of her jealousy - at the expense of the humiliated and disillusioned nymph. Jean-Philippe Rameau's music theater work Platéeis one of the most extraordinary things that the baroque age has produced. An experimental work that explores the genre boundaries between tragedy and comedy, between opera and ballet bouffon. The music is simply enchanting, shimmering in many ways and incredibly plastic. The opera was first performed in 1745 on the occasion of the wedding of the French heir to the throne in Versailles. But the story of a person who stands between two worlds fell through at the court, which is characterized by clear hierarchies and strict rules. Platée's assumption that the king of the gods could fall in love with her was an affront. Rameau's Platéeleads to deeply touching experiences of being human - and is also a declaration of love for theater and the arts: Thespis, the inventor of comedy, appears in the prologue and gives the starting signal for the story ("Formons un spectacle nouveau!"). Finally, with the extravagant figure of La Folie, Rameau impressively demonstrates that good art, indeed life itself, needs madness. With Platée
, Dutch director Jetske Mijnssen and conductor Emmanuelle Haïm base their successful collaboration on Rameau's Hippolyte et Aricieat the Zurich Opera House. In the new production, the French tenor Mathias Vidal, who is at home in the baroque repertoire, can be heard as the platée, while the English soprano Mary Bevan sings the coloratura-firing role of La Folie. The American bass-baritone Evan Hughes, who has already appeared in Belshazzar and Don Giovanni in Zurich, embodies Jupiter.

English

Platée by Rameau, Du (2023/2024), Dirigé par Jetske Mijnssen,, Chef d'orchestre Emmanuelle Haïm, Opernhaus, Zurich, Suisse

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