Organization

Sopran

Rachel Mink

Susanna

Bass

Timothy Nunn

Figaro

Hannah Greenshields

Die Gräfin Almaviva

Mezzosopran

Nicole Mealey

Cherubino

Lyla Levy Jordan

Marzelline

Tenor

Daniel Verschuer

Basilio

Olivia Morberger

Barbarina

Nicholas Geddes

Antonio

Regie

Peter Coleman-Wright

Pacific Opera

Others

Willoughby Symphony Orchestra

Pocket Opera with WSO

Chatswood

Australien

Le nozze di Figaro Mozart

Public

Die Hochzeit des Figaro

Genehmigt

Instrumentalist

Klavier

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Komposition

Dirigat

Libretto

Bühnenbild

Kostümbild

Choreographie

Lichtgestaltung

Tänzer

Schauspiel

Chordirektion

Videogestaltung

Dramaturgie

Übersetzung

Tongestaltung

Korrepetition

Maske

Leitender Produzent

Haar

Andere

Stage Manager

Chor

Orchester

Poet

GesangslehrerIn

Lehrer

Photographer

Rundfunk

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Countertenor

Bass-Bariton

Bariton

Gesprochen

Kinderstimme

Leise

Alto

Continuo

How do you reinvigorate opera for today’s audiences whilst giving emerging young artists the chance to shine?

For the internationally acclaimed Australian baritone Peter Coleman-Wright AO the answer is simple. You reduce an epic opera to an hour and tailor it to the rising talents at Pacific Opera, where Coleman-Wright AO is Guest Artistic Director.

Pacific Opera will do exactly that when it joins forces with Willoughby Symphony Orchestra for its first “Pocket Opera” staging of Mozart’s comic opera The Marriage of Figaro at The Concourse in Chatswood on Saturday 27 March 2021.

The brainchild of Helpmann Award-winning Coleman-Wright AO, who has won plaudits for his spine-tingling performances, insists the pared-back performances will convey the essence of the original opera without diminishing its vocal and emotional power.

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“Due to the impact of Covid-19 the year has taken a very different turn, but it was important to give each young artist at Pacific Opera a role that suited his or her age and vocal development,” he said. “Obviously we could not perform five operas fully, so I reduced them to best suit the voices we had and to still provide a strong sense of the complete opera.”

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Of paramount importance was ensuring that an appropriate and engaging vehicle be created to reveal the skills and craft of the young singers and show audiences how accessible and exciting the art form is.

“I do feel that we spend so much time, especially in the classical arts, trying to prove our worth and relevance. In my experience ‘dumbing down’ does not keep new audiences. It all begins at school. If young people are exposed to opera, classical music and art, then it would not seem so alien to them. It is also deeply tiresome that opera is deemed to be ‘elitist’. It really isn’t. It is the ultimate art form encompassing great singing and music, drama and dancing, and arresting visuals.”

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Mozart’s 18th century comic opera of intrigue, misunderstanding and forgiveness is full of melodic invention, frantic flourishes and feverish characters who create, then navigate chaos. “My task was to keep the thread of the story whilst enabling each singer to understand their role and its respective journey,” explains Coleman-Wright. “I’m very keen that the action moves quickly between each scene, so the story is clear. The opera is about the class system and was quite revolutionary in that the lower classes can take on the aristocracy and win through wit, cunning and truth.”

Pacific Opera plans to set its version in the 1920s to convey a strong sense of the social divide and conflict, a world explored in the popular TV series Downton Abbey. “The opera leans well with the concept of upper and lower classes.”

Ultimately, The Marriage of Figaro is one of the great opera masterpieces and audiences respond to its pranks and pitfalls as well as its well-known arias and sparkling score.

English

Pocket Opera with WSO by Mozart, Ab (2021/2021), Unter der Regie von Peter Coleman-Wright,

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Ensemble

Programm, Info & Synopsis

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte