Name: Powder Her Face
Start: 2023-10-20T00:00:00.000Z
End: 2023-10-28T00:00:00.000Z
Location: Semper Zwei

Organization

Conductor

Tim Anderson

Stage director

Georg Schmiedleitner

Set designer

Harald W Thor

Costume designer

Tanja Hofmann

Lighting designer

Marco Dietzel

Dramaturge

Johann Casimir Eule

Singer

Soprano

Mary Plazas

Duchess

Tenor

Peter Tantsits

Delivery Boy

Bass

Andrew Nolen

Duke

Semperoper Dresden

Rhian Lois

Confidante

Orchestra

Projektorchester

Powder Her Face

Dresden

Germany

Semper Zwei

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Contralto

Bass-baritone

Countertenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Powder Her Face Adès

Die Kammeroper »Powder Her Face« ist seit ihrer Uraufführung 1995 in England international eine der meistaufgeführten Opern Großbritanniens. Thomas Adès (*1971) traf mit diesem frühen kompositorischen Wurf offensichtlich einen Nerv: In sieben Bildern wird rückschauend und geschickt zwischen Imagination und Erinnerung changierend, das lustvolle wie skandalträchtige Leben der Upperclass-Lady Margaret Campbell, Duchess of Argyll (1912–1993) geschildert. Musikalisch ist das Werk für 15 Instrumente und vier Solist*innen, die teilweise virtuos ihre zahlreichen Rollen wechseln, eine Hommage an die populären Musikstile ihrer Zeit von Swing bis Tango aber auch an Kurt Weill, Alban Berg und Igor Strawinsky.

Deutsch

Since its world premiere in England in 1995, the chamber opera »Powder Her Face« has been one of the most frequently performed operas in Great Britain. Thomas Adès (*1971) obviously struck a chord with this early compositional stroke: retrospectively and skilfully alternating between imagination and memory, seven images depict the joyful and scandalous life of upper-class lady Margaret Campbell, Duchess of Argyll (1912–1993). . Musically, the work for 15 instruments and four soloists, some of whom change roles with virtuosity, is a homage to the popular musical styles of their time, from swing to tango, but also to Kurt Weill, Alban Berg and Igor Stravinsky.

English

Powder Her Face by Adès, Noiztik (2023/2023), Zuzendaria Georg Schmiedleitner,, Zuzendaria Tim Anderson, Semper Zwei, Dresden, Germany

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