Name: L'Invisible
Start: 2025-03-30T00:00:00.000Z
End: 2025-05-02T00:00:00.000Z
Location: Oper Frankfurt

Organization

Admin

Oper Frankfurt

Conductor

Titus Angel

Stage director

Daniela Löffner

Set designer

Fabian Wendling

Costume designer

Teresa Vergho

Lighting designer

Joachim Klein

Dramaturge

Maximilian Enderle

Soprano

Irina Simmes

Ursula

Marie

Ygraine

Mezzo-soprano

Karolina Makuła

Marthe

Bellangère

Cláudia Ribas

La servante

Bass-baritone

Erik Van Heyningen

Grand-père

Le Vieux

Aglovale

Tenor

Gerard Schneider

L'oncle

L'étranger

Countertenor

1. servante

Baritone

Sebastian Geyer

Der Vater

Orchestra

Frankfurter Opern- und Museumsorchester

franceză

L'Invisible -  (The Invisible)

Frankfurt (Oder)

Germany

L'Invisible Reimann

Public

The Invisible

Delfina Gago

germană

engleză

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Aribert Reimann's opera L'invisible combines three plays by Maurice Maeterlinck into a poetic reflection on the power of death: L'intruse shows a mother struggling for survival in childbirth. While most of their relatives fail to recognize the seriousness of the situation, only the blind grandfather notices the arrival of an invisible stranger. Intérieur takes the suicide of a young woman as its starting point. Two men are supposed to inform the family of the deceased and ask themselves whether it wouldn't be more humane to keep quiet about the bitter truth. La mort de Tintagiles is reminiscent of a dark fairy tale: an old queen lures her grandson Tintagiles into her kingdom in order to have him murdered as her potential heir to the throne. Supported by his sisters, Tintagiles is initially able to defend himself. But eventually he too disappears into his grandmother's mysterious castle.

Maeterlinck's dramas from the late 19th century oscillate between bourgeois realism and symbolist ambiguity. The everyday always refers to the abyss of death, which is also omnipresent in Reimann's score. The characters' fears and premonitions are experienced not only in expressive vocal lines, but also in iridescent orchestral interludes. A contrasting instrumentation allows the three pieces to blend together.

English

Aribert Reimanns Oper L’invisible verbindet drei Theaterstücke von Maurice Maeterlinck zu einer poetischen Reflexion über die Macht des Todes: L’intruse zeigt eine Mutter, die im Kindbett ums Überleben ringt. Während ein Großteil ihrer Angehörigen den Ernst der Lage verkennt, nimmt nur der blinde Großvater die Ankunft eines unsichtbaren Fremden wahr. Intérieur hat den Selbstmord einer jungen Frau zum Ausgangspunkt. Zwei Männer sollen die Familie der Verstorbenen darüber in Kenntnis setzen und fragen sich, ob es nicht menschlicher wäre, die bittere Wahrheit zu verschweigen. La mort de Tintagiles erinnert an ein düsteres Kunstmärchen: Eine alte Königin lockt ihren Enkel Tintagiles in ihr Reich, um ihn als ihren potenziellen Thronfolger ermorden zu lassen. Unterstützt von seinen Schwestern, kann sich Tintagiles zunächst zur Wehr setzen. Doch schließlich verschwindet auch er im geheimnisvollen Schloss seiner Großmutter.

Maeterlincks Dramen aus dem ausgehenden 19. Jahrhundert oszillieren zwischen bürgerlichem Realismus und symbolistischer Vieldeutigkeit. Das Alltägliche verweist stets auf den Abgrund des Todes, der auch in Reimanns Partitur omnipräsent ist. Die Ängste und Vorahnungen der Figuren werden nicht nur in expressiven Gesangslinien, sondern auch in irisierenden Orchesterzwischenspielen erfahrbar. Eine kontrastreiche Instrumentation lässt die drei Stücke dabei sogartig miteinander verschmelzen.

Deutsch

The Invisible by Reimann, Vin 18 Apr. 2025, De la (2025/2025), Regizat de către Daniela Löffner,, Dirijor Titus Angel, Oper Frankfurt, Frankfurt (Oder), Germany

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