Name: Andrea Chénier
Start: 2025-06-18T00:00:00.000Z
End: 2025-06-29T00:00:00.000Z
Location: Teatro Regio

Organization

Admin

Teatro Regio di Torino

Conductor

Andrea Battistoni

Stage director

Giancarlo Del Monaco

Set designer

Daniel Bianco

Costume designer

Jesús Ruiz

Lighting designer

Wolfgang von Zoubek

Chorus master

Ulisse Trabacchin

Orchestra

Orchestra del Teatro Regio di Torino

Others

Coro del Teatro Regio di Torino

Tenor

Gregory Kunde

Andrea Chenier

Angelo Villari

Baritone

Franco Vassallo

Carlo Gerard

Ernesto Petti

Soprano

Maria Agresta

Maddalena of Coigny

Yolanda Auyanet

Alessandra di Giorgio

Mezzo-soprano

Sofia Koberidze

Bersi

Albina Tonkikh

Federica Giansanti

The Countess of Coigny

Manuela Custer

Madelon

Bass

Adriano Gramigni

Roucher

Nicolò Ceriani

Pietro Fleville

Fouquier-Tinville

Vincenzo Nizzardo

Mathieu

Riccardo Rados

The Incredible

Mark Kim

The Abbe

Pete Thanapat

Dumas

Janusz Nosek

Schmidt

Andrea Chénier -  (Andrea Chenier)

Turin

Italy

Teatro Regio

Andrea Chénier Giordano

Public

Candela Meluzio

italština

angličtina

Approved

“Trionfo completo. Ventina chiamate artisti e maestro.” Con questo telegramma l’editore Sonzogno comunicava nel marzo del 1896 il successo travolgente di Andrea Chénier all’autore del libretto, Illica, che aveva saputo trasformare in una tragedia ardente la biografia di un poeta francese vittima della Rivoluzione francese. Nel dramma, Chénier è un idealista, impreparato ad affrontare le trame del terrore giacobino e innamorato di Maddalena, un’aristocratica in fuga dai rivoluzionari; i due, vittime di Gérard, resteranno uniti fino alla morte. Sollecitato da un testo ricco di dettagli storici e con personaggi mossi da passioni estreme, il compositore Umberto Giordano riutilizzò marce rivoluzionarie, come La carmagnole, e scrisse una cornucopia di arie e duetti magnifici. Poche opere hanno un numero così alto di brani memorabili: Un dì, all’azzurro spazio, La mamma morta e Nemico della patria sono solo alcuni esempi.

Conferenza-Concerto: mercoledì 11 Giugno ore 18 - Piccolo Regio Puccini

italiano

“A complete triumph. Twenty curtain calls for the artists and maestro,” wrote the publisher Sonzogno in a telegram in March 1896 to announce the overwhelming success of Andrea Chénier to the librettist, Luigi Illica, who had so skilfully transformed into an ardent tragedy the real-life story of a French poet who had fallen victim to the French Revolution. In the opera, Chénier is an idealist, helplessly swept up by the schemes of the Jacobin Terror and hopelessly in love with Maddalena, an aristocrat fleeing the revolutionaries. Victims of Gérard’s lust, the two remain united until the end. Encouraged by a libretto filled with historical details and characters driven by extreme passion, the composer Umberto Giordano reworked revolutionary marches such as La Carmagnole and wrote a true wealth of magnificent arias and duets. Few operas can boast such a great number of memorable pieces, including “Un Dì, all’Azzurro Spazio,” “La Mamma Morta,” and “Nemico della Patria,” to name just a few.


The vocal parts for the two ill-fated lovers are especially challenging, requiring expressive power and technical control, for which they will be sung by two acclaimed performers of truly great vocal standing, Gregory Kunde and Maria Agresta. Franco Vassallo will perform the role of their nemesis, Gérard. This staging of the opera will present the spectacular new production by Giancarlo Del Monaco, an experienced director of worldwide renown, who calls himself “an innovator in keeping with tradition.” Maestro Andrea Battistoni returns to the Teatro Regio podium, after his brilliant work with La Bohème last season.

English

Andrea Chenier by Giordano, Od (2025/2025), Režie Giancarlo Del Monaco,, Dirigent Andrea Battistoni, Teatro Regio, Turin, Italy

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