Name: Quatuor Ébène Lahav Shani
Start: 2024-07-30T00:00:00.000Z
End: 2024-07-30T00:00:00.000Z
Location: Eglise de Verbier

Admin

Verbier Festival

Conductor

Lahav Shani

Instrumentalist

Piano

Quatuor Ébène / Lahav Shani

Bagnes

Switzerland

Eglise de Verbier

Quatuor Ébène / Lahav Shani: String Quartet No. 21 in D major, K. 575 Mozart (+2 More)

Public

Streichquartett D-Dur K 575

String Quartet No. 3, SZ 85

Piano Quintet No. 2 in A Major, Op. 81, B. 155

Akshay C K

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Soprano

Singer

Contralto

Countertenor

Tenor

Baritone

Bass-baritone

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Mozart’s graceful, melodic String Quartet No. 21 is the first of his three ‘Prussian’ quartets, written for King Friedrich Wilhelm II of Russia, and thus making much of the king’s own instrument, the cello – particularly so in its scherzo third movement and the ensuing finale. Schnittke’s three-movement String Quartet No. 3 of 1983 opens on on a 16th century quote, from Orlando de Lassus’s Stabat Mater, followed by one from Beethoven’s Grosse Fugue, then Shostakovich’s DSCH motif. These then form the linking motivic threads through the remainder of the quartet, set within a darkly melancholic, often angry sound world of eerie glissandi, and slides between ancient and modern, tonality and atonality. By contrast, even when the four movements of Dvořák’s vibrantly singing, Czech-folk-infused Quintet of 1887 (opening on a cello solo) switch to the minor, the effect is either just exhilarating, or sweetly nostalgic.

English

Le gracieux et mélodique Quatuor à cordes N°21 de Mozart est le premier de ses trois quatuors « prussiens » écrits pour le roi Friedrich Wilhelm II de Russie et met en valeur l’instrument favori du roi – le violoncelle – particulièrement dans le scherzo du troisième mouvement et le finale qui s’ensuit. Le Quatuor à cordes N°3 de Schnittke, composé en trois mouvements en 1983 ouvre sur une citation du XVIe siècle tirée du Stabat Mater d’Orlando de Lassus et continue sur une citation de la Grande Fugue de Beethoven pour finir avec le motif de Chostakovich. Ces éléments forment ensuite les fils motiviques liant tout le reste du quatuor dans un univers sombre et mélancolique, souvent rempli de colère avec des glissandi inquiétants oscillant entre l’ancien et le moderne, la tonalité et l’atonalité. En revanche, même lorsque les quatre mouvements du Quintette de Dvořák – composé en 1887 et inspiré du folklore tchèque qui commence avec un solo de violoncelle – passent à la tonalité mineure, l’effet est soit exaltant soit doucement nostalgique.

français

Quatuor Ébène / Lahav Shani by Mozart, Bartók, Dvořák, Fra (2024/2024), Dirigent Lahav Shani, Eglise de Verbier, Bagnes, Switzerland

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