Name: Radioübertragung: Paradisi gloria (Ohne Publikum)
Start: 2021-07-18T00:00:00.000Z
End: 2021-07-18T00:00:00.000Z
Location: Funkhaus Berlin

Organization

Conductor

Henry Raudales

Tenor

Dean Power

Baritone

Sean Michael Plumb

Orchestra

Münchner Rundfunkorchester

Radioübertragung: Paradisi gloria (Ohne Publikum)

Berlin

Germany

Funkhaus Berlin

Radioübertragung: Paradisi gloria (Ohne Publikum): Concert Various

Public

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Soprano

Contralto

Countertenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Aldo Clementi (1925–2011) war Schüler von Petrassi und Stockhausen. In seinem „Halleluja“ von 1982 leuchtet altehrwürdiger Choral durch ein dichtes, avantgardistisches Klanggeflecht. Verse der Hoffnung aus dem Alten Testament vertonte Alfredo Casella (1883–1947) in den „Tre canti sacri“ von 1942, als er sich von Krankheit gezeichnet hin zu Religion und geistlicher Musik wandte. In „Requies“ von 1984, so Luciano Berio (1925–2003), läuft eine Melodie „unaufhörlich ab, wird aber durch Rückblenden und Abschweifungen rund um einen mobilen und fernen Mittelpunkt unterbrochen“, der freilich für den Zuhörer nicht unbedingt erkennbar ist. Die „Quattro inni sacri“ von 1942 gehören zu den Hauptwerken von Goffredo Petrassi (1904–2003).

Deutsch

Aldo Clementi (1925-2011) was a student of Petrassi and Stockhausen. In his "Halleluja" from 1982, a venerable chorale shines through a dense, avant-garde network of sounds. Alfredo Casella (1883–1947) set verses of hope from the Old Testament to music in his 1942 “Tre canti sacri” when, marked by illness, he turned to religion and sacred music. In “Requies” from 1984, according to Luciano Berio (1925–2003), a melody “runs on incessantly, but is interrupted by flashbacks and digressions around a mobile and distant center”, admittedly not necessarily recognizable to the listener. The "Quattro inni sacri" from 1942 are among the main works of Goffredo Petrassi (1904-2003).

English

Radioübertragung: Paradisi gloria (Ohne Publikum) by Various, De (2021/2021), Director musical Henry Raudales, Funkhaus Berlin, Berlin, Germany

Crèdits de representació (Repartiment i equipatge )

Repartiment

Conjunt

Programa, Sobre i Resum

Fotografies

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Dates i llocs d'actuació

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