Name: Requiem
Start: 2022-12-02T00:00:00.000Z
End: 2022-12-02T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Singer

Soprano

Amina Edris

Tenor

Amitai Pati

Conductor

Hervé Niquet

Contralto

Eléonore Pancrazi

Alto

Bass

Alexandre Duhamel

Théâtre des Champs-Elysées

Others

Choeur du Concert Spirituel

Orchestre de Chambre de Paris

Requiem

Paris

France

Requiem de Mozart: Ultime Chef-D’œuvre: Requiem, K.626 Mozart

Public

Symphony No.39 in E-flat major, K.543

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Baritone

Mezzo-soprano

Countertenor

Child vocalist

Continuo

Silent

Spoken

Bis du concert "Mozart à Salzbourg" au festival d'Evron en 2019Choeur et Orchestre du Concert SpirituelDirection Hervé Niquet

Doubtless never has a work left behind such deep confusion, heightened by nearly three centuries of legends. The circumstances of the composition of the Requiem are not lacking in romantic mysteries: in July 1791, Mozart, exhausted by work and both moral and financial concerns, put the finishing touches to The Magic Flutewhen he receives a visit from a secret messenger. We know today that it was the steward of Count Walsegg, who, a widower and music lover, intended to obtain a mass for the dead in memory of his wife. We also know that the musician's death interrupted the work begun in the autumn of 1791. His wife Constance first entrusted the score to Eybler, who was unable to complete the work in turn, then to Süssmayer, the pupil to whom Mozart had given many indications for his Requiem . Recent work has attempted to disentangle the contributions of Mozart and his pupil, in order to establish an edition considered to be closest to the intentions of the musician.

English

Jamais sans doute une œuvre n’a laissé derrière elle un trouble aussi profond, grandi par près de trois siècles de légendes. Les circonstances de la composition du Requiem ne manquent pas de mystères romanesques : en juillet 1791, Mozart, épuisé par le travail et les inquiétudes tant morales que financières, met la dernière main à La Flûte enchantée lorsqu’il reçoit la visite d’un messager secret. On sait aujourd’hui qu’il s’agissait de l’intendant du Comte Walsegg, lequel, veuf et mélomane, entendait obtenir une messe des morts à la mémoire de son épouse. On sait également que la mort du musicien interrompit l’ouvrage commencé à l’automne 1791. Sa femme Constance confia d’abord la partition à Eybler qui ne put achever l’œuvre à son tour, puis à Süssmayer, l’élève auquel Mozart avait donné de nombreuses indications pour son Requiem. Des travaux récents ont tenté de démêler les contributions de Mozart et de son élève, afin d’établir une édition considérée comme la plus proche des intentions du musicien.

français

Requiem by Mozart, Od (2022/2022), Dirigent Hervé Niquet, Théâtre des Champs-Elysées, Paris, France

Uznanie za predstavenie (Obsadenie & Tím )

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