Name: Requiem
Start: 2023-10-10T00:00:00.000Z
End: 2023-10-10T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Violinist

Julien Chauvin

Violin

Violist

Amihai Grosz

Viola

Soprano

Julia Lezhneva

Mezzo-soprano

Eva Zaïcik

Mezzosoprano

Tenor

Mauro Peter

Conductor

Théâtre des Champs-Elysées

Others

Chœur de Chambre de Namur

Le Concert de la Loge

Céleste Productions

Chorus master

Thibaut Lenaerts

Bass

Nahuel Di Pierro

Requiem

Paris

France

Requiem: Requiem, K.626 Mozart (+1 More)

Public

Sinfonia concertante in E-flat for violin and viola, K. 364

Approved

Instrumentalist

Pianist

Cellist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Bass-baritone

Contralto

Baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Wolfgang Amadeus Mozart (1756–1791)
Sinfonia concertante für Violine, Viola und Orchester Es-Dur KV 364

Mozart: Sinfonia concertante ∙ Noah Bendix-Balgley ∙ Amihai Grosz ∙ Bergmann ∙ argovia philharmonic

No work has ever left such a profoundly unsettling legacy, magnified by almost three centuries of legend. The circumstances surrounding the composition of the Requiem are shrouded in fanciful mystery. In July 1791, an exhausted Mozart, worn down by work and by mental and financial worries, was putting the finishing touches to The Magic Flute when he received a visit from a secret messenger. We now know that this was the steward of Count Walsegg, a widowed music lover who wanted to commission a Requiem Mass in memory of his wife. We also know that work on the piece was cut short when the musician died in autumn 1791. His wife Constance initially entrusted the score to Eybler, who was also unable to complete it, and then to Süssmayer, the student to whom Mozart had given a number of notes for his Requiem. Recent scholarship has tried to disentangle Mozart’s contributions from those of his student in order to produce an edition which is as close as possible to the musician’s intentions.

English

Jamais sans doute une œuvre n’a laissé derrière elle un trouble aussi profond, grandi par près de trois siècles de légendes. Les circonstances de la composition du Requiem ne manquent pas de mystères romanesques : en juillet 1791, Mozart, épuisé par le travail et les inquiétudes tant morales que financières, met la dernière main à La Flûte enchantée lorsqu’il reçoit la visite d’un messager secret. On sait aujourd’hui qu’il s’agissait de l’intendant du Comte Walsegg, lequel, veuf et mélomane, entendait obtenir une messe des morts à la mémoire de son épouse. On sait également que la mort du musicien interrompit l’ouvrage commencé à l’automne 1791. Sa femme Constance confia d’abord la partition à Eybler qui ne put achever l’œuvre à son tour, puis à Süssmayer, l’élève auquel Mozart avait donné de nombreuses indications pour son Requiem. Des travaux récents ont tenté de démêler les contributions de Mozart et de son élève, afin d’établir une édition considérée comme la plus proche des intentions du musicien.

français

Requiem by Mozart, No (2023/2023), Diriģents Julien Chauvin, Théâtre des Champs-Elysées, Paris, France

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