Organization

Conductor

Levente Török

Hendrik Haas

Set designer

Siegfried E Mayer

Lighting designer

Marcus Denk

Dramaturge

Benjamin Künzel

Chorus master

Assistant Director

Alma Gentile

Baritone

Dae-Hee Shin

Rigoletto

Soprano

Maryna Zubko

Gilda

Bass

Daniele Macciantelli

Sparafucile

Contralto

I-Chiao Shih

Maddalena

Tenor

Juong-Woon Lee

Matteo Borsa

Michael Burow-Geier

The Count of Ceprano

Martin Gäbler

Marullo

Mezzo-soprano

Eleonora Halbert

Giovanna

Milcho Borovinov

A court usher

Singer

Maria Wester

A page

Markus Francke

The Duke of Mantua

Michael Weiger

Eleonora Filipponi

The Count of Monterone

The Countess of Ceprano

Ulm Theater

Orchestra

Philharmonische Orchester der Stadt Ulm

Others

Herren des Opern- und Extrachores

Opernchor des Theater Ulm

Extras of the Ulm Theater

taliančina

Germany

Theater Ulm

Großes Haus

Rigoletto Verdi

Public

nemčina

Approved

RIGOLETTOEine Kooperation mit dem Oldenburgischen StaatstheaterMelodramma in drei Aufzügen von Giuseppe VerdiLibretto von Francesco Maria Piave nach dem Vers...

Morality is not the order of the day at the court of the Duke of Mantua, where the regent drags one beauty after the other into his bed. Even his court jester Rigoletto has only biting mockery for the fate of the dishonored; and the curse hurled at him by a desperate father only seems to frighten him for a moment. In doing so, he hits him to the core - because the fool himself is hiding his daughter Gilda from the cynical gang of courtiers. Rigoletto has no idea that his extreme caution is what makes the tragedy possible in the first place: Gilda, who wants to escape her golden cage at the first opportunity, falls head over heels in love with a young student, and he is none other than the Duke incognito. But what Gilda thinks is great love is just an adventure for the unbridled heartbreaker.

 Verdi's »Rigoletto«, whose libretto is based on Victor Hugo's scandalous piece »Le roi s'amuse«, which was critical of power, has been one of the most successful works in the operatic repertoire since its premiere in Venice in 1851.

English

Uznanie za predstavenie (Obsadenie & Tím )

Obsadenie

Posádka

Súbor