Name: Rigoletto
Start: 2017-09-22T00:00:00.000Z
End: 2018-02-25T00:00:00.000Z
Location: Slovak National Theatre New Building

Admin

Organization

Singer

Tenor

Kyungho Kim

The Duke of Mantua

Tomáš Juhás

Eric Fennell

Ludovit Ludha

Ivan Magrì

Baritone

Evez Abdulla

Rigoletto

Mikołaj Zalasiński

Leo An

Constantinos Yiannoudes

Anton Keremidtchiev

Nikoloz Lagvilava

Alexander Krasnov

Soprano

Petra Perla-Nôtová

Gilda

Andrea Vizvári

Ľubica Vargicová

Kateřina Kněžíková

Julia Novikova

Hila Fahima Ruschin

Simona Šaturová

Bass

Peter Mikuláš

Sparafucile

Ján Galla

Jozef Benci

Contralto

Terézia Kružliaková

Maddalena

Denisa Hamarová

Monika Fabianová

Mezzo-soprano

Jitka Sapara-Fischerová

Giovanna

Denisa Šlepkovská

Sergej Tolstov

The Count of Monterone

Daniel Čapkovič

Ján Ďurčo

Marullo

František Ďuriač

Ivan Ožvát

Matteo Borsa

Ján Babjak

Martin Mikuš

The Count of Ceprano

Juraj Peter

Eva Šeniglová

The Countess of Ceprano

Miriam Maťašová

Martin Smolnický

A court usher

Ján Keder

Katarína Polakovičová

A page

Katarína Flórová

Conductor

Martin Leginus

Stage director

Martin Schüler

Set designer

Hans Dieter Schaal

Costume designer

Susanne Thomasberger

Chorus master

Pavel Procházka

Dramaturge

Martin Bendik

Mariana Sajko

Eva Rampáčková

Slovak National Theatre

italiană

Bratislava

Slovakia

Slovak National Theatre New Building

Rigoletto Verdi

Pro Users Only

Public

slovacă

Approved

One of the most famous works of the great Italian master does not need to be introduced to the opera audience. For Verdi, Rigoletto's work, Hugo's drama The King is Entertained, is a source of great passion, a source of inspiration for a socially critical view, but also an incentive to create a moving intimate story. The protagonist, court jester and gentleman Rigoletto, faces a dilemma: to survive in an awkward environment at all costs, not to look at the consequences of his behavior - or to resist, as another of the characters in this story, Count Monterone? Because in life, every act is paid for, sometimes very bitterly, by the loss of the most precious - in Rigoletto's story, the beloved daughter of the Guild.

At the time of its creation, some opponents blamed Verdi's work for being too "Germanic" to be too close in nature to Richard Wagner's work. If it was because Verdi had achieved an extraordinary expressiveness of musical-dramatic expression that, in a sense, exceeded the limits of Belcant's tradition, then they were right. In any case, this work represents an authentic Verdi's opus, which integrates quite organically into the context of its compositional development.

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