Name: Sacred Matinee
Start: 2018-05-19T00:00:00.000Z
End: 2018-05-19T00:00:00.000Z
Location: Grosser Saal Musiktheater

Organization

Conductor

Jérémie Rhorer

Chorus master

Howard Arman

Singer

Soprano

Genia Kühmeier

Baritone

Andrè Schuen

Pianist

Pierre-Laurent Aimard

Markus Hinterhäuser

Salzburger Festspiele

Sacred Matinee

Linz

Austria

Grosser Saal Musiktheater

Sacred Matinee: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Mezzo-soprano

Bass

Countertenor

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

At Vienna’s ‘Red Hedgehog’ tavern they once gelled over a shared fondness for dumplings with smoked meat, but have otherwise gone down in musical history as the great antithetical forces in the concert halls of their time: Johannes Brahms on the side of the so-called ‘conservatives’; Anton Bruckner as representative of the progressive, Wagner-centric ‘New German School’. The acrimonious stylistic quarrels, notably fierce among their Viennese devotees, had not yet escalated by 1868, but the wheels had been set in motion. It is astonishing that both composers worked as choral conductors and came to spiritual music via completely different paths: the Protestant doubter from Hamburg, for instance, completed his German Requiem in 1868 using biblical texts he had compiled himself. It is not the deceased’s sinful soul that stands at the center, as in the Latin mass for the dead, but solace for the surviving relatives. And in Brahms’s more intimate version for soloists, choir and piano duet, the text comes even more to the fore. The piously Catholic Bruckner, however, paid homage to God not only in three great masses but also numerous other compositions. His motets are among the most poignant choral works of the 19th century.

English

Sacred Matinee by Various, Od (2018/2018), Dirigent Jérémie Rhorer, Grosser Saal Musiktheater, Linz, Austria

Uznanie za predstavenie (Obsadenie & Tím )

Obsadenie

Posádka

Program, informácie a súhrn

Fotografie

Ďalšie čítanie

Termíny a miesta vystúpení

Miesto konania