Name: Schubert, Symphonies n° 8 & 4
Start: 2024-03-23T00:00:00.000Z
End: 2024-03-23T00:00:00.000Z
Location: Auditorium Rainier III

Admin

Insula Orchestra

Festival Printemps des Arts de Monte-Carlo

Orchestra

Conducting

Laurence Equilbey

Schubert, Symphonies n° 8 & 4

Monte Carlo

Monaco

Auditorium Rainier III

Public

Symphony No. 8/7 in B minor D 759 (Unfinished)

The Devil's Pleasure Palace

Symphony No.4, D.417

Simon Samuel

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Baritone

Bass

Tenor

Bass-baritone

Countertenor

Soprano

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Insula orchestra offers a journey to the romantic lands of Germany! Franz Schubert occupies a special place there, notably with his “tragic” Symphony, whose key in minor accentuates the anxiety, and his “Unfinished” Symphony.

“The work begins with a murmur of the bass strings. Impossible to describe the profound originality of this work written in the rare key of B minor, which Tchaikovsky will use for his Symphony No. 6. The second movement is in E major (death is often in major mode in Schubert) and modulates a lot . We will remember the haunting pizzicati of the strings, the colors of trombones, oboes and clarinet, the dramatism and tenderness of the 1st movement opposing the marching character of the second movement which evolves into a chorale. The themes are generally descending (Schubertian burial) with the exception of a wind theme in the second movement (liturgical elevation?) Its popularity has never dried up. It remains one of the most universally loved works in musical history.”
Olivier Bellamy, Classical Radio

English

Insula orchestra propose un voyage dans les terres romantiques allemandes ! Franz Schubert y occupe une place de choix avec notamment sa Symphonie « tragique » dont la tonalité en mineur accentue l’inquiétude, et sa Symphonie « Inachevée ».

« L’œuvre commence par un murmure des cordes basses. Impossible de décrire l’originalité profonde de cette œuvre écrite dans la tonalité rare de si mineur, que Tchaïkovski reprendra pour sa Symphonie n° 6. Le deuxième mouvement est en mi majeur (la mort est souvent en mode majeur chez Schubert) et module beaucoup. On retiendra les pizzicati obsédants des cordes, les couleurs de trombones, de hautbois et de clarinette, le dramatisme et la tendresse du 1er mouvement s’opposant au caractère de marche du second mouvement qui évolue vers un choral. Les thèmes sont généralement descendants (l’ensevelissement schubertien) à l’exception d’un thème aux vents dans le second mouvement (élévation liturgique ?) Sa popularité ne s’est jamais tarie. C’est toujours l’une des œuvres les plus universellement aimées de l’histoire de la musique. »

français

Schubert, Symphonies n° 8 & 4 by Schubert, Minn (2024/2024), Auditorium Rainier III, Monte Carlo, Monaco

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