Organization

Instrumentalist

Maria Florea

Violin

Àlex Ramírez

Piano

Violist

Sara Ferrández

Viola

Violinist

Cellist

Marion Platero

Cello

Pianist

Sara Fernández

L'Auditori

Schumann i Brahms: Piano Quartets

Spain

SCHUMANN I BRAHMS: PIANO QUARTETS: Three Romances, op.22 (+2 More)

Public

Three Romances for Violin and Piano

Piano Quartet in E Flat, op. 47

Klavierquartett Nr. 1 g-moll, Op. 25

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violino Piccolo Player

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Contralto

Bass

Bass-baritone

Soprano

Tenor

Mezzo-soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

In 1853, Johannes Brahms showed up at the home of Clara and Robert Schumann to show them some of his early compositions. From then on, all three maintained an intense relationship, both personally and artistically, which is fundamental to understanding German musical Romanticism. That same year, Clara Schumann composed the Three Romances for violin and piano, op. 22 ,which he dedicated to the Austro-Hungarian violinist Joseph Joachim. Clara had a special predilection for the romance genre, which allowed her to unfold melodies with a strong sentimental character. In the first romance, he incorporates some elements specific to gypsy music, just as Brahms also does in the last movement of the Piano Quartet in G G, op. 25. This quartet and the Piano Quartet in Eb, op. 47 by Robert Schumann are structured in four movements and combine melodies of great lyricism and rhythmically energetic passages.

INTÈRPRETS
Sara Ferrández, viola
Trio da Vinci

English

El 1853, Johannes Brahms va presentar-se a casa de Clara i Robert Schumann per ensenyar-los algunes de les seves primeres composicions. A partir de llavors, tots tres van mantenir una relació intensa, tant en l’àmbit personal com en l’artístic, que resulta fonamental per entendre el Romanticisme musical alemany. Aquell mateix any, Clara Schumann va compondre les Tres romances per a violí i piano, op. 22, que va dedicar al violinista austrohongarès Joseph Joachim. Clara tenia especial predilecció pel gènere de la romança, que li permetia desplegar melodies amb un fort caràcter sentimental. A la primera romança, hi incorpora alguns elements propis de la música zíngara, tal com també fa Brahms a l’últim moviment del Quartet amb piano en sol m, op. 25. Aquest quartet i el Quartet amb piano en Mi b, op. 47 de Robert Schumann s’estructuren en quatre moviments i combinen melodies d’un gran lirisme i passatges rítmicament enèrgics.

INTÈRPRETS
Sara Ferrández, viola
Trio da Vinci

català

Schumann i Brahms: Piano Quartets by Schumann, Clara, Schumann, Brahms, Fra (2022/2022)

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