Organization

Koreograf

Antun Marinić

Körledare

Ana Šabašov

Ljus designer

Zoran Mihanović

Baritone

Kiril Manolov

Simon Boccanegra

Bass

Ivica Čikeš

Jacopo Fiesco

Tenor

Bojidar Nikolov

Gabriele Adorno

Ozren Bilušić

Paolo Albiani

Siniša Štork

Pietro

Božo Župić

Vinko Maroević

Un Capitano dei balestrieri

Špiro Boban

Soprano

Olga Romanko

Maria Boccanegra

Mezzo-soprano

Barbara Sumić

Un'Ancella di Amelia

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Split

Kroatien

Simon Boccanegra Verdi

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompositör

Dirigent

Regissör

Librettist

Scenograf

Kostym designer

Dansare

Skådespelare

Video designer

Dramaturg

Tolk

Ljud designer

Repetitör

Sminkartist

Exekutiv producent

Hårstylist

Other

Stage Manager

Kör

Orkester

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

Bass-baritone

contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Verdi wrote the first version of his Simon Boccanegra in 1857, based on the play by the Spanish author A. García-Gutierrez, the one to whom we owe the novel content of Troubadour . Dissatisfied with the results, Verdi turned to Arrigo Boito, the author of the unfinished Neroneo , who inspired the playwright to rework the libretto and create a new, final version that triumphed on the stage of Milan's Scala in 1881 .

In the new adaptation, something of the original romance remains: family hatred, intrigue, poison, daggers, a lost and then found child, recognition, exchange of identity, or perhaps all of these, Boccanegra now becomes an opera of deep national and universal meaning. The tragedy of the Genoese Doge Simon, whose happiness always eludes him when it seems that he is within his grasp, goes hand in hand with his mission as a national peacemaker, the one who wants to end once and for all the class antagonisms within Genoa, as well as the mutual conflicts between the Italian cities. Instead of hate, a call for love.

English

Prvu verziju svog Simona Boccanegre Verdi je napisao 1857., prema drami španjolskog autora A. Garcie-Gutierreza, onog istog kojem dugujemo romaneskni sadržaj Trubadura. Nezadovoljan ishodom, Verdi se obraća Arrigu Boitu, autoru nedovršenog Neronea, ovaj dramaturški nadahnuto prerađuje libretto i nastaje nova, konačna verzija koja 1881. trijumfira na pozornice milanske Scale.

U novoj obradi ostaje nešto od izvorne romanesknosti: obiteljske mržnje, spletke, otrov, bodeži, izgubljeno pa opet pronađeno dijete, prepoznavanja, zamjene identiteta, ali uza sve to, Boccanegra sada postaje opera dubokog nacionalnog i općeljudskog značenja. Tragedija genoveškog dužda Simona, kojem sreća uvijek izmiče kada se učini da mu je nadohvat, ide usporedo s njegovom misijom nacionalnog pomiritelja, onog koji hoće jednom zauvijek dokrajčiti kako staleške suprotive unutar Genove, tako i međusobne sukobe talijanskih gradova. Umjesto mržnje, poziv na ljubav.

slovenščina

Simon Boccanegra by Verdi, Från (2006/2006), HNK, Split, Kroatien

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning

Ensemble

Program, Om & Synopsis

Foton

Vidare läsning

Föreställningsdatum och lokaler

Spelplatser