Name: Sinfónico 17
Start: 2024-04-19T00:00:00.000Z
End: 2024-04-21T00:00:00.000Z
Location: Auditorio Nacional de Musica

Organization

Conductor

Kazuki Yamada

Instrumentalist

Sara Ferrández

Viola

Orchestra

National Orchestra of Spain

Orquesta y Coro Nacionales de España

Auditorio Nacional de Música

Sinfónico 17

Madrid

Spain

Auditorio Nacional de Musica

Sala Sinfónica

Sinfónico 17: A Flock Descends into the Pentagonal Garden Toru Takemitsu (+2 More)

Public

Concert

Oratorio / Orchestral

A Flock Descends into the Pentagonal Garden

Concerto for Viola

Symphony in D minor

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Singer

Contralto

Baritone

Tenor

Countertenor

Soprano

Bass-baritone

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

El japonés Kazuki Yamada dirigirá este fin de semana a la Orquesta Nacional de España con un programa formado por 'A Flock Descends into the Pentagonal Garden' de Tōru Takemitsu, el 'Concierto para viola y orquesta' de William Walton, con Sara Ferrández como solista invitada, y la 'Sinfonía en Re menor' de César Franck.

Clara Sánchez, violonchelista e informadora de Radio Clásica, presenta este programa formado por tres obras fundamentales dentro del catálogo de sus autores: "Preguntas, incertidumbre, colores, timbres, sueños, experimentación, influencias, luces y sombras… Esos son algunos de los ingredientes que forman parte del repertorio que escucharemos en los conciertos del Sinfónico 17 de de la temporada 23-24 de la Orquesta y Coro Nacionales de España".

🗓️ Sinfónico 17: Viernes 19 y sábado 20 de abril a las 19:30 horas, y domingo 21 de abril a las 11:30​​​​ horas.

🎟️ Entradas: https://entradasinaem.es/ListaEventos...

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Sinfónico 17: A Flock Descends into the Pentagonal Garden Takemitsu (+2 More)

El vuelo –a la vez caprichoso y coordinado– de una bandada de pájaros se denota en danés con la sugerente expresión «sort sol» (sol negro), en la que fondo y figura –sol, cielo, nube de aves– parecen diluirse en un todo, tal como ocurre en el fresco orquestal de 1977 que abre este programa. La cualidad de puente entre tradiciones –occidental y japonesa– que caracteriza la obra del japonés Tōru Takemitsu recorre también la producción temprana de William Walton, cuyo acercamiento a las vanguardias continentales durante la década de 1920 le valió ser etiquetado –exageradamente– como «iconoclasta» de la música británica.

En el caso del belga César Franck, fueron sus simpatías wagnerianas las que despertaron la animadversión de amplios sectores de la crítica musical francesa, y así su Sinfonía en Re fue recibida con epítetos como «árida, incompetente y dogmática». Superados estos humanos escozores, el tiempo se ha encargado de que el repertorio concertante para viola y el repertorio sinfónico francés sean hoy impensables sin las obras de Walton y Franck, respectivamente.

español

The flight –at once whimsical and coordinated– of a flock of birds is denoted in Danish by the suggestive expression “sort sol” (black sun), in which background and figure –sun, sky, cloud of birds– seem to dissolve into a whole, as occurs in the 1977 orchestral fresco that opens this program. The quality  of a bridge between traditions – Western and Japanese – that characterizes the work of the Japanese Tōru Takemitsu also runs through the early production of William Walton, whose approach to the continental avant-garde during the 1920s earned him the label – exaggeratedly – ​​as “iconoclastic”. of British music.

In the case of the Belgian César Franck, it was his Wagnerian sympathies that aroused the animosity of wide sectors of French music criticism, and thus his Symphony in D was received with epithets such as "arid, incompetent and dogmatic". Once these human stings have been overcome, time has ensured that the concertante repertoire for viola and the French symphonic repertoire are today unthinkable without the works of Walton and Franck, respectively.

English

Sinfónico 17 by Takemitsu, Walton, Franck, Fra (2024/2024), Dirigent Kazuki Yamada, Auditorio Nacional de Musica, Madrid, Spain

Forestilling krediteringer (Medvirkende & Produktionshold )

Ensemble

Program, Information & Oversigt

Videoer

Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder