Name: Soirée Berlin Années 20
Start: 2025-03-26T00:00:00.000Z
End: 2025-03-26T00:00:00.000Z
Location: Théâtre du Châtelet

Admin

Orchestre de Chambre de Paris

Théâtre du Châtelet

Conductor

Carolin Widmann

Instrumentalist

Violin

Orchestra

Soirée Berlin Années 20

Paris

France

Public

Concert

Violin Concerto, op. 12

Sharan Allad

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Mezzo-soprano

Soprano

Baritone

Contralto

Tenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Depuis plusieurs années, Carolin Widmann défend ardemment le Concerto pour violon de Kurt Weill, qui ose l’alliage singulier d’un instrument à cordes soliste et d’un orchestre à vent. Soliste et cheffe de ce concert, elle ramène le concerto sur son lieu d’origine : créé à Paris en 1925, il y a cent ans, l’œuvre témoigne des intenses relations entre Paris et Berlin dans les années 1920. 

Kurt Weill n’a que vingt-quatre ans lorsqu’il compose son Concerto pour violon. On y entend de multiples influences, notamment celles de Mahler et de Berg, conjuguées avec les nouvelles tendances qui se dessinent pendant la République de Weimar : la netteté du dessin, la fermeté rythmique, le refus du sentimentalisme au profit d’un ton souvent ironique. On perçoit également le sens du théâtre des œuvres à venir, notamment de L’Opéra de quat’sous composé quatre ans plus tard. 

Ce programme sera complété par d’autres œuvres illustrant cette période féconde du Berlin de l’entre-deux-guerres.

Coproduction Orchestre de chambre de Paris / Théâtre du Châtelet

français

For several years, Carolin Widmann has ardently defended Kurt Weill's Violin Concerto , which dares to combine a solo string instrument and a wind orchestra. Soloist and conductor of this concert, she brings the concerto back to its place of origin: created in Paris in 1925, a hundred years ago, the work testifies to the intense relations between Paris and Berlin in the 1920s. 

Kurt Weill was only twenty-four years old when he composed his Violin Concerto . We hear multiple influences, notably those of Mahler and Berg, combined with the new trends that emerged during the Weimar Republic: the clarity of the drawing, the rhythmic firmness, the refusal of sentimentalism in favor of an often ironic tone. . We also perceive the sense of theater in the works to come, notably L'Opéra de quat'sous composed four years later. 

This program will be supplemented by other works illustrating this fertile period of interwar Berlin.

Co-production Paris Chamber Orchestra / Théâtre du Châtelet

English

Soirée Berlin Années 20 by Weill, Noiztik (2025/2025), Zuzendaria Carolin Widmann, Théâtre du Châtelet, Paris, France

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