Organization

Conductor

Jonathan Stockhammer

Semperoper Dresden

Orchestra

Staatskapelle Dresden

Sonderkonzert Capell-Compositeur

Dresden

Germany

Sonderkonzert Capell-Compositeur: Concert Various

Public

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Mezzo-soprano

Singer

Soprano

Baritone

Countertenor

Bass-baritone

Tenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

SCHWEBENDE HARMONIEN
»Eines der ersten bereits anerkannten Meisterwerke des 21. Jahrhunderts«, so befand Sir Simon Rattle über das einstündige Ensemblewerk »in vain« des Capell-Compositeurs Georg Friedrich Haas. Als Reaktion auf den Rechtsrutsch der österreichischen Regierung um die Jahrtausendwende entstanden, ist das Werk eine Studie musikalischer Gegensätze: Chromatischen Läufen, die sich atemlos aufwärts zu schrauben scheinen, stehen Abschnitte gegenüber, in denen das Saallicht vollkommen verlischt und schwebende mikrotonale Klangspektren die Hörenden umfangen.

In Kooperation mit Hellerau-Europäisches Zentrum der Künste.

Deutsch

One of the first acknowledged masterpieces of the 21st century«, is how Sir Simon Rattle described the hour-long ensemble work »in vain« by Capell composer Georg Friedrich Haas. Composed as a reaction to the right-wing slide of the Austrian government around the turn of the millennium, the work is a study of musical contrasts: chromatic runs that seem to breathlessly spiral upwards are opposed to sections in which the hall light goes out completely and floating microtonal sound spectra surround the listener.

In cooperation with Hellerau-European Center for the Arts.

English

Sonderkonzert Capell-Compositeur by Various, Noiztik (2024/2024), Zuzendaria Jonathan Stockhammer

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