Name: Songs for Captured Voices
Start: 2022-03-25T00:00:00.000Z
End: 2022-03-25T00:00:00.000Z
Location: Künstlerhaus

Artist

Singer

Elaine Mitchener

Voice

Stage director

Philipp Bergmann

Thea Reifler

Künstlerhaus Besitz- und BetriebsGmbH

anglų

Songs for Captured Voices

Vienna

Austria

Künstlerhaus

Public

Private

Pending

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Mezzo-soprano

Countertenor

Bass-baritone

Soprano

Baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

The performance "Songs for Captured Voices" features the voices of soldiers from the British and French overseas colonies who were interned in the Brandenburg prisoner-of-war camp Wünsdorf during the First World War. Hiendl, Knak, Reifler and Bergmann worked with sound recordings made at the time by linguists for pseudo-scientific purposes, which are accessible in what is now the Lautarachiv of the Humboldt University in Berlin. While little is known about the individuals whose voices were recorded, vocal archives of the present serve to establish their identity with more precision. The Federal Office for Migration and Refugees (BAMF – Bundesamt für Migration und Flüchtlinge) started using voice recognition software to determine the origin of refugees in 2017. This involves the recognition of dialects, creating racist attributions that have political consequences for the asylum seekers. In this project, the artists trace the history of the racialized classifications of body and voice, and the property relations associated with them. While detainees were literally stripped of their voices in order to create a racially based vocal archive, the patterns of classification derived from this are now translated into digital tools that perpetuate the racist colonial order of the past in a migratory regime. "Songs for Captured Voices" will be performed by Elaine Mitchener, an experimental singer, dancer, and composer.
 
In cooperation with Universität Mozarteum Salzburg.

English

Songs for Captured Voices by Hiendl, Nuo (2022/2022), Režisierius Philipp Bergmann, Thea Reifler,, Künstlerhaus, Vienna, Austria

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