Name: Sound Of Planets – Trans-cendence XI
Start: 2024-08-31T00:00:00.000Z
End: 2024-08-31T00:00:00.000Z
Location: Gstaad Festival Tent

Admin

Gstaad Menuhin Festival

London Symphony Orchestra

Conductor

Antonio Pappano

Orchestra

Instrumentalist

Pianist

Bertrand Chamayou

Piano

Others

Kaunas State Choir

Sound Of Planets – Trans-cendence XI

Saanen

Switzerland

Gstaad Festival Tent

Public

Concert

Benvenuto Cellini

Burleske, TrV 145

The Planets

Arshiya Banu

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Singer

Soprano

Baritone

Countertenor

Tenor

Bass

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

A genuinely radiant event: The London Symphony Orchestra, led by Sir Antonio Pappano, has crafted a programme for the final concert of the 68th Gstaad Menuhin Festival & Academy that promises to be the summer’s grand highlight. The evening begins with a burst of energy and excitement, featuring the overture to Berlioz’s opera Benvenuto Cellini. Pianist Bertrand Chamayou joins the orchestra for Richard Strauss’s playful and lively Burleske. In its time, the composition was seen as too intricate, with harmonies considered unconventional. Yet, what unfolds is music filled with mood and humour, as explicitly indicated by the composer with the notation “con umore” in the score. Following this, accompanied by the Kaunas Choir Lithuania, is the truly epic composition The Planets by Holst. This renowned Suite is divided into seven distinct movements, each exploring the characteristics of an astrological entity. With movements like “Venus, the bringer of peace” or “Jupiter, the bringer of jollity”, the seven celestial bodies symbolise the life journey of an individual from youth to old age and beyond – transitioning into a new, mystical voyage upon departing the earthly realm. The Suite bears the indelible imprint of the First World War’s impact. Holst first introduced his composition to friends two months before the armistice in 1918, initially evoking a sense of disbelief, as described by his daughter Imogen: “They almost found the sounds of Mars unbearable after the four-year war. [...] However, the finale with Neptune was unforgettable, featuring a chorus of purely female voices fading into the distance until the imagination could no longer discern between sound and silence.”

English

Sound Of Planets – Trans-cendence XI by Berlioz, Strauss, Holst, -tól (2024/2024), Karmester Antonio Pappano, Gstaad Festival Tent, Saanen, Switzerland

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Program, névjegy és szinopszis

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