Name: Stabat Mater
Start: 2022-04-13T00:00:00.000Z
End: 2022-04-13T00:00:00.000Z
Location: Église Notre-Dame de Dijon

Organization

Dyrygent

Anass Ismat

Pianista

Hugo Mathieu

Ramon Theobald

Śpiewak

Sopran

Kseniia Proshina

Soprano

Mezzosopran

Marine Chagnon

Mezzosoprano

Tenor

Kiup Lee

Tenore

Aaron Pendleton

Bass

Opéra de Dijon

Others

Chœur de l'Opéra de Dijon

Stabat Mater

Dijon

Francja

Église Notre-Dame de Dijon

Stabat Mater Rossini

Public

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Kontralt

Baryton

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Composed for four solo voices (soprano, mezzo-soprano, tenor, bass), mixed choir and symphony orchestra, the work scrupulously follows the unfolding of the Latin text of Stabat Mater , as glorified by Pergolesi in his illustrious score of 1736 The 13th century text, celebrating the sorrow of the Virgin at the feet of the Cross , is filled with grave solemnity, which only makes the aesthetic chosen by Rossini all the more surprising, full of vocal seduction and operatic hedonism. . This very secular, even sensual color immediately attracted the composer a flurry of criticism: how dare he entertain with a religious subject? How to understand, for example, that the Cujus animam gementem, evoking the look of the Mother on her crucified Son, corresponds to a march sung by a dapper Tenor? Weren't we on the verge of blasphemy? Assuming this kind of incongruities and all of his theatrical imagination, Rossini brushed aside objections: the main thing, he claimed, was that the music, whatever its character, was of the highest quality. However, on this point, the least that we can say is that it did not fail in its word: by the sumptuousness of its vocal lines, its choral plasticity and its orchestral shine, the Stabat Mater is full of beauties: in the best a tradition of baroque piety magnified by romanticism, lyrical effusion and majestic gravity orchestrate the unprecedented, literally miraculous fusion of the profane and the sacred.

English

Stabat Mater by Rossini, od (2022/2022), Dyrygent Anass Ismat, Église Notre-Dame de Dijon, Dijon, Francja

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca