Name: Strauss | Bruckner
Start: 2025-01-16T00:00:00.000Z
End: 2025-01-16T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Admin

Orchestre de Chambre de Paris

Conductor

Thomas Hengelbrock

Others

Théâtre des Champs-Elysées

Strauss | Bruckner

Paris

France

Public

Concert

Metamorphosen, TrV 290

Symphony No. 6 in A Major

Rahul Solomon

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Singer

Mezzo-soprano

Contralto

Baritone

Bass-baritone

Countertenor

Soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Deux œuvres emblématiques du postromantisme germanique sont à l’affiche de ce concert : la Symphonie n° 6 de Bruckner, achevée en 1881, et les Métamorphoses de Strauss, composées en 1945 dans une Allemagne détruite par la guerre.

« Die Sechste, die keckste » (« La Sixième, la plus effrontée ») : Bruckner joue sur l’homophonie des deux mots pour présenter la seule de ses partitions orchestrales à n’avoir jamais été remaniée. Pas de repentirs, ni de réécriture, contrairement à son habitude. Il atteint immédiatement la perfection dans cette œuvre écrite pour un effectif relativement modeste (bois par deux), mais aux proportions monumentales. Alors que la fin de la Seconde Guerre mondiale approche, Strauss compose ses Métamorphoses pour les seuls instruments à cordes. Cette poignante lamentation s’achève sur une citation de la Symphonie n° 3 « Eroica » de Beethoven, comme une trace de ce que la culture allemande a de plus grand.

français

Two emblematic works of Germanic post-Romanticism are on the bill for this concert: Bruckner's Symphony No. 6 , completed in 1881, and Strauss's Metamorphoses , composed in 1945 in a Germany destroyed by war.

“Die Sechste, die keckste” (“The Sixth, the most brazen”): Bruckner plays on the homophony of the two words to present the only one of his orchestral scores to have never been revised. No repentance or rewriting, contrary to usual. He immediately achieved perfection in this work written for a relatively modest number (woodwinds in pairs), but of monumental proportions. As the end of the Second World War approached, Strauss composed his Metamorphoses for stringed instruments only. This poignant lament ends with a quote from Beethoven's Symphony No. 3 "Eroica" , as a trace of the greatest of German culture.

English

Strauss | Bruckner by Strauss, Bruckner, Nuo (2025/2025), Dirigentas Thomas Hengelbrock, Théâtre des Champs-Elysées, Paris, France

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