Name: Sunt Lacrimae Rerum, Stavanger
Start: 2016-08-19T00:00:00.000Z
End: 2016-08-19T00:00:00.000Z
Location: Utstein Monastery

Admin

ArsNova

Conductor

Paul Hillier

Singer

Hanna Kappelin

Soprano

Elenor Wiman

Alto

Jakob Skjoldborg

Tenor

Thomas Kiørbye

Bass

Orchestra

Ars Nova

Ann-Christin Wesser-Ingels

Kate Macoboy

Rebecca  Forsberg Svendsen

Iris Oja

Paul Bentley-Angell

Mats Lillhannus

Asger Lynge Petersen

Jakob Soelberg

Sunt Lacrimae Rerum, Stavanger

Oslo

Norway

Utstein Monastery

Public

Private

Concert

Oratorio / Orchestral

Ave Maria Virgo Serena

Doleo Super Te - Absolon, Fili Mi

Lamentatio Sanctae Matris Ecclesiae

Rachel Plorans

Nesciens mater virgo virum

Art Vox Reportage - On Civilisation 2.0

Three Stages

Larissa Andrea Pereira

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Baritone

Mezzo-soprano

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Continuo

Our concert title is a famous phrase from Virgil's Aeneid. In Carthage Aeneas visits a temple to Juno and gazes on a mural which depicts key figures from the Trojan war—the war that has driven him to this alien shore as a refugee. He perceives how mortal things touch the spirit, and that 'there are tears at the heart of things.' And it is here that he first dares to hope for safety and to have more confidence in his wrecked fortunes.The music we sing in the first part of the concert includes three laments: King David mourning the death of his son Absolon in battle; Dufay's lament for the fall of Constantinople to the Turks in 1453; and Rachel's lament for her dead child, one of many killed by Herod's men in the slaughter of the innocents. These are set between two Marian motets by the Franco-Flemish composer Jean Mouton, which express the precious beauty and hope engendered by the birth of a child.

These references to strife between people of different religions and the plight of the refugee are placed here deliberately to echo some of the themes that occur in Line Tjørnhøj's extended 'report' on the state of civilisation at the beginning of our new millennium.

The composer Pelle Gudmundsen-Holmgreen, with whom Ars Nova enjoyed a particularly close association, died earlier this summer. To commemorate Pelle and pay tribute to his marvellous music, we conclude our concert with one of the finest pieces he wrote for us: Three Stages. This is a work in three sections which began life as a musical tapestry of Copenhagen street cries (quoting Berio's Cries of London in passing,) but then interweaves a sonnet by Shakespeare, Janequin's Chant des Oiseaux, and various other local references as well.

English

Sunt Lacrimae Rerum, Stavanger by Mouton, J., Anonymous 14th Century, Dufay, Anonymous From The Fleury Playbook, Tjørnhøj, Gudmundsen-Holmgreen, No (2016/2016), Diriģents Paul Hillier, Utstein Monastery, Oslo, Norway

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