Name: Symphonies And Concert Arias
Start: 2023-10-12T00:00:00.000Z
End: 2023-10-12T00:00:00.000Z
Location: Liszt Academy

Admin

Hungarian National Philharmonic

Conductor

Stephan MacLeod

Orchestra

double bassist

Péter Kubina

Double Bass

Baritone

Creonte

Instrumentalist

Double bass

Bass

Symphonies And Concert Arias

Budapest

Hungary

Liszt Academy

Symphonies And Concert Arias: Symphony No. 40 in G Minor, K.550 Mozart (+5 More)

Public

Concert

Symphony No. 40

The Clemency of Titus

Alcandro, lo confesso, K.294

Symphony No. 78 in C minor, Hob.I:78

Orfeo ed Euridici ossia L'anima del filosofo

"Per questa bella mano", K. 612

Jnanakumar P

Approved

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Singer

Countertenor

Tenor

Soprano

Mezzo-soprano

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

The programme scheduled for the second night of the Ferencsik season ticket series, which is comprised solely of Viennese Classical masterpieces, is itself a sort of composition: both parts consist of an overture, a concert aria and a symphony: in the first part, the overture is by Mozart and the symphony by Haydn, while after the break it will be the other way around. (Mozart wrote both concert arias.) What makes this event unique is the special surprise that the sole guest artist at the concert has in store for the audience.

 

It went without saying that musicians of the Baroque and Viennese Classical periods needed to be versatile. Bach played the harpsichord and organ, as well as the violin, cello and viola da gamba. If Haydn and Mozart were alive today, they would nod their heads in approval upon learning that not only is Switzerland’s Stephan MacLeod a fine conductor: he is also an outstanding bass singer who is even willing to demonstrate these two skills of his to the audience simultaneously at a single concert. And this is exactly what he will do for two numbers this evening, singing the two Mozart concert arias with his rich colourful bass voice – while also directing the orchestra. However, the rest of the concert also promises a wealth of experiences, as the two overtures, from La clemenza di Tito and L’anima del filosofo, are valuable and meaningful pieces of music, and Haydn’s Symphony No. 78 in C minor is a credit to his mature style of the early 1780s. The finale crowning the evening is the ‘Great’ G-minor Symphony: its dark and gloomy tone and characters revealing a troubled state of mind, in a certain sense, already foreshadow the Romanticism that was to be born a few decades later. One exciting feature of the Ferencsik season ticket is the way that the Viennese Classical pieces in the series are performed by the Hungarian National Philharmonic Orchestra with a reduced number of forces in order to match the style, resulting in a sleeker sound and more agile playing.

The four concerts of the Ferencsik season ticket invite you to enter the musical Garden of Eden made up of masterpieces of the Viennese Classical style. The music of Mozart, Haydn and Michael Haydn promises ethereal sounds. Each concert will close with a late Mozart symphony: his three final works in the genre and the ‘Prague’ symphony. While each programme features a Haydn symphony as well, we will also hear both overtures and concert arias, with Barnabás Kelemen and Katalin Kokas performing Mozart’s Sinfonia concertante in E-flat major for violin and viola, and Petra Somlai taking on the Piano Concerto No. 21 in C major (K. 467). The fortepiano refers to the pursuit of authenticity – which is also indicated by the fact that the works will be performed by ensembles smaller than a full symphonic orchestra. Two programmes will be conducted by chief music director György Vashegyi, and one by the Swiss musician Stephan MacLeod, who will also sing while conducting two concert arias, as he is an excellent bass. On the third night, we will get the chance to welcome an old friend of the orchestra, the French conductor and oboe virtuoso François Leleux, this time interpreting Haydn’s C-major concerto for the instrument.

English

Symphonies And Concert Arias by Mozart, Haydn, No (2023/2023), Diriģents Stephan MacLeod, Liszt Academy, Budapest, Hungary

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