Name: The Diary of Anne Frank
Start: 2015-10-30T00:00:00.000Z
End: 2015-10-31T00:00:00.000Z
Location: Den Nationale Scene

Organization

Stage director

Rocc

Conductor

Anne Randine Øverby

Soprano

Hege Gustava Tjønn

Anne Frank

Opera Bergen

The Diary of Anne Frank

Bergen

Norway

Den Nationale Scene

The Diary of Anne Frank Frid

Public

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Singer

Countertenor

Mezzo-soprano

Baritone

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

It is 70 years since Anne Frank died in the Bergen-Belsen concentration camp, after first hiding for over two years, and then being reported and arrested. For her 13th birthday in 1942, she received the diary as a gift, just under a month before she and her family had to go into hiding - and she writes in it until three days before everyone was arrested by the Gestapo in August 1944. Only her father survived the concentration camps, and was the one who made sure that a young girl's diary in an extreme and limited life situation has been read all over the world.

In 1968, the Russian composer Grigori Frid made Anne Frank her own librettist for the monopera, which premiered in 1972. The lyrics are dressed in a moderate tonal language with driving and pregnant rhythms, making the opera accessible to a wide audience.

In our new century, it is this contemporary opera that is performed five times most often, and only in the current season is it played, among other things. in Norway, Germany, Italy, Austria, France, Slovenia, the Czech Republic and the United States. It is also getting its Asian premiere in Shanghai these days.

Through excerpts from the diary, the opera gives a rich and varied portrait of Anne and the people around her, in the development from a happy thirteen-year-old who gets her first diary to a rapidly maturing young woman who increasingly experiences and reflects on the ever-increasing danger to their lives. in.

In this way, Anne Frank's text and Grigori Frid's music create a multifaceted picture of an asylum situation, where we get to take part in the young woman's subjective experiences in a very limited and sometimes claustrophobic space - but with the dramatic events outside as a backdrop and resonant background. 70 years later, unfortunately, the situation is more relevant than we would like, and the opera invites to the opportunity for experience and empathy in being forced into captivity and alienation.

English

Det er 70 år siden Anne Frank døde i konsentrasjonsleiren Bergen-Belsen, etter først å ha holdt seg i skjul i over to år, for deretter å bli angitt og arrestert. Til sin 13årsdag i 1942 fikk hun dagboken i gave, bare en knapp måned før hun og familien måtte gå i skjul – og hun skriver i den helt frem til tre dager før alle ble arrestert av Gestapo i august 1944. Bare faren overlevde konsentrasjonsleirene, og var den som sørget for at en ung pikes dagbok i en ekstrem og begrenset livssituasjon er blitt lest over hele verden.

Den russiske komponisten Grigori Frid lot i 1968 Anne Frank være sin egen librettist for monooperaen som fikk sin urpremiere i 1972. Tekstene kles i et moderat tonespråk med drivende og pregnant rytmikk, noe som gjør operaen tilgjengelig for et bredt publikum.

I vårt nye århundre er det denne samtidsoperaen som femføres oftest, og bare i inneværende sesong spilles den bl.a. i Norge, Tyskland, Italia, Østerrike, Frankrike, Slovenia, Tsjekkia og USA. Den får også sin Asiapremiere i Shanghai i disse dager.

Gjennom utdrag fra dagboken gir operaen et rikt og variert portrett av Anne og menneskene rundt henne, i utviklingen fra en lykkelig trettenåring som får sin første dagbok til en raskt modnende ung kvinne som i økende grad erfarer og reflekterer over den stadig større livsfaren de befinner seg i.

Slik makter Anne Franks tekst og Grigori Frids musikk å skape et mangefasettert bilde av en asylsituasjon, der vi får ta del i den unge kvinnens subjektive opplevelser i et svært begrenset og til tider klaustrofobisk rom – men med de dramatiske begivenhetene utenfor som bakteppe og resonansbunn. 70 år etter er dessverre situasjonen mer aktuell enn vi skulle ønske oss, og operaen inviterer til mulighet for opplevelse og innlevelse i det å være tvunget til fangenskap og utenforskap.

norsk

The Diary of Anne Frank by Frid, Ó (2015/2015), Faoi stiúir Rocc,, Seoltóir Anne Randine Øverby, Den Nationale Scene, Bergen, Norway

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid